Produced by John Bickers, and Dagny THE BROTHERHOOD OF CONSOLATION By Honore De Balzac Translated by Katharine Prescott Wormeley FIRST EPISODE. MADAME DE LA CHANTERIE I. THE MALADY OF THE AGE On a fine evening in the month of September, 1836, a man about thirty years of age was leaning on the parapet of that quay from which a spectator can look up the Seine from the Jardin des Plantes to Notre-Dame, and down, along the vast perspective of the river, to the Louvre. There is not another point of view to compare with it in the capital of ideas. We feel ourselves on the quarter-deck, as it were, of a gigantic vessel. We dream of Paris from the days of the Romans to those of the Franks, from the Normans to the Burgundians, the Middle-Ages, the Valois, Henri IV., Louis XIV., Napoleon, and Louis-Philippe. Vestiges are before us of all those sovereignties, in monuments that recall their memory. The cupola of Sainte-Genevieve towers above the Latin quarter. Behind us rises the noble apsis of the cathedral. The Hotel de Ville tells of revolutions; the Hotel-Dieu, of the miseries of Paris. After gazing at the splendors of the Louvre we can, by taking two steps, look down upon the rags and tatters of that ignoble nest of houses huddling between the quai de la Tournelle and the Hotel-Dieu,--a foul spot, which a modern municipality is endeavoring at the present moment to remove. In 1836 this marvellous scene presented still another lesson to the eye: between the Parisian leaning on the parapet and the cathedral lay the “Terrain” (such was the ancient name of this barren spot), still strewn with the ruins of the Archiepiscopal Palace. When we contemplate from that quay so many commemorating scenes, when the soul has grasped the past as it does the present of this city of Paris, then indeed Religion seems to have alighted there as if to spread her hands above the sorrows of both banks and extend her arms from the faubourg Saint-Antoine to the faubourg Saint-Marceau. Let us hope that this sublime unity may be completed by the erection of an episcopal palace of the Gothic order; which shall replace the formless buildings now standing between the “Terrain,” the rue d’Arcole, the cathedral, and the quai de la Cite.