Alyosha’s arrival seemed to affect even his moral side, as though something had awakened in this prematurely old man which had long been dead in his soul. “Do you know,” he used often to say, looking at Alyosha, “that you are like her, ‘the crazy woman’”—that was what he used to call his dead wife, Alyosha’s mother. Grigory it was who pointed out the “crazy woman’s” grave to Alyosha. He took him to our town cemetery and showed him in a remote corner a cast-iron tombstone, cheap but decently kept, on which were inscribed the name and age of the deceased and the date of her death, and below a four-lined verse, such as are commonly used on old-fashioned middle-class tombs. To Alyosha’s amazement this tomb turned out to be Grigory’s doing. He had put it up on the poor “crazy woman’s” grave at his own expense, after Fyodor Pavlovitch, whom he had often pestered about the grave, had gone to Odessa, abandoning the grave and all his memories. Alyosha showed no particular emotion at the sight of his mother’s grave. He only listened to Grigory’s minute and solemn account of the erection of the tomb; he stood with bowed head and walked away without uttering a word. It was perhaps a year before he visited the cemetery again. But this little episode was not without an influence upon Fyodor Pavlovitch—and a very original one. He suddenly took a thousand roubles to our monastery to pay for requiems for the soul of his wife; but not for the second, Alyosha’s mother, the “crazy woman,” but for the first, Adelaïda Ivanovna, who used to thrash him. In the evening of the same day he got drunk and abused the monks to Alyosha. He himself was far from being religious; he had probably never put a penny candle before the image of a saint. Strange impulses of sudden feeling and sudden thought are common in such types. I have mentioned already that he looked bloated. His countenance at this time bore traces of something that testified unmistakably to the life he had led. Besides the long fleshy bags under his little, always insolent, suspicious, and ironical eyes; besides the multitude of deep wrinkles in his little fat face, the Adam’s apple hung below his sharp chin like a great, fleshy goiter, which gave him a peculiar, repulsive, sensual appearance; add to that a long rapacious mouth with full lips, between which could be seen little stumps of black decayed teeth. He slobbered every time he began to speak. He was fond indeed of making fun of his own face, though, I believe, he was well satisfied with it. He used particularly to point to his nose, which was not very large, but very delicate and conspicuously aquiline. “A regular Roman nose,” he used to say, “with my goiter I’ve quite the countenance of an ancient Roman patrician of the decadent period.” He seemed proud of it.