The Cabinetmaker in Eighteenth-Century Williamsburg: Giving Attention to the City's Chief Craftsmen in the Furniture Way; And to Their Tools & Methods of Working — John Shaqi
The Cabinetmaker in Eighteenth-Century Williamsburg: Giving Attention to the City's Chief Craftsmen in the Furniture Way; And to Their Tools & Methods of WorkingHeuvel, Johannes
History
The Cabinetmaker in Eighteenth-Century Williamsburg: Giving Attention to the City's Chief Craftsmen in the Furniture Way; And to Their Tools & Methods of Working
Heuvel, Johannes
Furniture making; Furniture workers -- Virginia -- Williamsburg; Furniture, Colonial -- Virginia -- Williamsburg
The elegant grounds of the Governor’s Palace in Williamsburg seem at
first glance a most unlikely site for a cabinetmaker’s shop, especially
in the time of Lord Dunmore. His Majesty’s last and unlamented viceroy
in Virginia was no basement do-it-yourselfer. But after the Revolution
his claim for the value of lost possessions included “A quantity of
Mahogany and other Woods; with tools for four Cabinet Makers.”
Although Dunmore’s tools and lumber were probably destined for the
plantation he was seating near Warm Springs as a private venture, the
possibility cannot be dismissed that some furniture work was done at the
Palace. At one spot on the grounds several items of cabinet hardware
have been excavated. And the amount of furniture in an establishment as
big as the Palace could no doubt have kept a man busy just repairing the
everyday wear and tear.
Whatever the situation under the royal governors, however, the practice
in 1776 was to have such work done in the shops of the town’s private
entrepreneurs. When Patrick Henry was about to take up residence as the
independent commonwealth’s first chief executive, the state government
issued warrants to several Williamsburg cabinetmakers for making or
repairing Palace furniture. Honey and Harrocks received a little more
than £19 for mending 28 chairs there; £21 went to a certain Richard
Booker (about whose identity there remains great uncertainty) for making
some chairs; and our friend Edmund Dickinson took in £92 “for furniture
furnished the Pallace.”
Judging by Bucktrout’s charge of £25 per dozen for straight chairs and
£16 for a mahogany desk and bookcase, Dickinson was dealing with
something on the order of 35 chairs or their equivalent in other kinds
of furniture. It would appear that his shop, the same one where Anthony
Hay and Benjamin Bucktrout had earlier plied their craft, was the
largest such establishment in Williamsburg at the time. It has now been
reconstructed, its dimensions precisely fixed by surviving foundations,
and furnished as an operating craft shop according to indications of the
Dickinson inventory, archaeological findings on the site, and other
information.
[Illustration: _This eighteenth-century woodworker’s bench resembles
its twentieth-century counterpart in every essential feature of
construction and equipment, though differing in various details._
ROUBO]
The original shop was built about 1750 on the bank of the small stream
that still flows through the Nicholson Street property. Hay bought it in
1756 and some ten years later built an addition on piers over the
stream. His reason for this seemingly awkward arrangement cannot now be
ascertained. No evidence indicates that he ever installed a water wheel,
and in any event the stream’s flow could have operated a lathe only in
the very wettest weather.
Public-domain text, read in full here on John Shaqi.
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