The Camel and the Needle's EyePonsonby, Arthur Ponsonby, Baron
Philosophy
The Camel and the Needle's Eye
Ponsonby, Arthur Ponsonby, Baron
Wealth; Wealth -- Moral and ethical aspects
At the same time, I am compelled by a deep conviction in the truth of
my argument which passing years and the course of events only serve to
strengthen, and if, by the brief suggestions contained in these pages,
I can succeed in inducing anyone to examine more closely this branch
of the Social Problem, which in my opinion is too often dismissed as
negligible, I shall be amply repaid.
My thanks are due to those who have kindly assisted me in collecting
the facts and figures in Chapter VIII and in other parts of the book,
and also to Mr. and Mrs. J. L. Hammond, who read through the MS. and
made valuable criticisms and suggestions.
A. P.
The Camel and the Needle’s Eye
Chapter I
Extreme poverty a consequence of extreme wealth--Pity or
contempt for the poor--Money ideal strong among the poor--The
different phases in making a fortune--The general tendency of
society--Relations between rich and poor--Dis-sympathy and class
hatred--The social problem.
Frederick the Great’s father, on the occasion of great court
festivities used to lead his wife from the brilliant scene of gaiety
to an adjoining chamber, where he made her lie down for a few moments
in her own coffin, so as to give her a sharp reminder of the vanity
and transitory nature of all human pleasure. An even more effective
reminder for those who in London spend their money on a life of
pure self-indulgence would be afforded by a walk at midnight along
the Embankment from Westminster to Waterloo Bridge. No prearranged
stage management is necessary for the sight they are to see. It is a
long run, every night and all night, and has gone on ever since the
Embankment was constructed. As they pass along they can see the seats
packed closely with men and women leaning against one another in an
exhausted or half-drunken slumber. They can see the ragged and filthy
bundles of humanity lying round the parapet at the foot of Cleopatra’s
Needle, or the rows of wretched caricatures of men and women lined
along the wall under the shelter of the bridges. If they go late
enough, there is a strange silence which at first gives the impression
that the place is deserted. But it only means that these waifs and
strays, these wretched outcasts, are enjoying the few hours’ reprieve
given even to them by the blessed oblivion of sleep. The moon shines on
them from over the river, but no melodrama can reproduce that scene;
estimates are drawn up of their number, but no statistics can give
an adequate analysis; books are written on their condition, but no
language can describe it. A man who sees this squalid throng for the
first time must be deeply impressed, but it strikes even more anyone
who sees it constantly, and he must be less than human if he can pass
without a poignant pang of shame. But nine out of ten of those who do
pass along will tell you these wretches only have themselves to blame,
Public-domain text, read in full here on John Shaqi.
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