The doctor deliberated with half-shut eyes that seemed to burn the
brighter for their partial eclipse.
“This morning,” he rejoined, “was like no other. I owe you some
confidence in the matter. I had the chance of a lifetime this
morning—thanks to you!”
“Thanks to me?” repeated Pocket. A flash enlightened him. “Do you mean
to say I—you took me—walking——?”
“You shall see my meaning,” replied Baumgartner, rising. “Wait one
minute.”
He was not gone longer. Pocket heard him on the other side of double
doors in an alcove; but he had gone out into the passage to get there.
Running water and the chink of porcelain were specially audible in his
absence, but the boy was thinking of another sound. The doctor before
leaving had discarded a black alpaca jacket, light as a pocket
handkerchief, which had fallen so softly as to recall by contrast the
noise made by the revolver in the pocket of the cloak. The lad was
promptly seized with a strong desire to recover his property; he was
within an ace of doing so, the cloak containing it being actually in
his hands and only dropped as Baumgartner returned to announce that all
was ready.
Sharp to the left, at the end of the passage, was a door which would
simply have been a second way into the drawing-room had the double
doors within been is use; these being shut, the space behind made a
separate chamber which again reminded the schoolboy of his study, that
smallest of small rooms. This one was as narrow, only twice the length.
One end was monopolised by the door that admitted them, the other by a
window from floor to ceiling. And this window was in two great sheets
of ruby glass, so that Pocket looked down red-hot iron steps into a
crimson garden, and therefrom to his companion dyed from head to foot
like Mephistopheles.
“This is something like a dark-room!” exclaimed the lad as the door was
shut and locked behind him. The folding doors were permanently barred
by shelves and lockers; opposite was a long porcelain trough, pink as
the doctor’s shirt-sleeves in the strong red light; racks of negatives
and stoppered bottles glimmered over brass taps stained to an angry
copper.
Public-domain text, read in full here on John Shaqi.
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