The time-table of that boy’s day must speak for itself. It was already
one o’clock, and he was naturally hungry, especially after the way his
breakfast had been spoilt by Coverley’s card. At 1.15 he was munching
a sausage roll and sipping chocolate at a pastry-cook’s in Oxford
Street. The sausage roll, like the cup of chocolate, was soon followed
by another; and a big Bath bun completed a debauch of which Dr. Bompas
would undoubtedly have disapproved.
At 1.45, from the top of an Atlas omnibus in Baker Street, he espied a
placard with “Collapse of Middlesex” in appalling capitals. And at the
station he got down to learn the worst before going on to Lord’s for
nothing.
The worst was so hopelessly bad that Pocket wished himself nearer the
theatres, and then it was that the terra-cotta pile of Madame Tussaud’s
thrust itself seductively upon his vision. He had not been there for
years. He had often wanted to go again, and go alone. He remembered
being taken by his sister when a little boy at Coverley’s, but she had
refused to go into the Chamber of Horrors, and he had been relieved at
the time but sorry ever afterwards, because so many of the boys of
those days had seen everything and seemed none the worse for the
adventure. It was one of the things he had always wanted not so much to
do as to have done. The very name of the Chamber of Horrors had frozen
his infant blood when he first heard it on the lips of a criminological
governess. On the brink of seventeen there was something of the budding
criminologist about Pocket Upton himself; had not a real murder and
_Henry Dunbar_ formed his staple reading in the train? And yet the boy
had other sensibilities which made him hesitate outside the building,
and enter eventually with quite a nutter under the waistcoat.
A band in fantastic livery was playing away in the marble hall; but
Pocket had no ear for their music, though he was fond enough of a band.
And though history was one of his few strong points at school, the
glittering galaxy of kings and queens appealed to him no more than the
great writers at their little desks and the great cricketers in their
unconvincing flannels. They were waxworks one and all. But when the
extra sixpence had been paid at the inner turnstile, and he had passed
down a dungeon stair into the dim vaults below, his imagination was at
work upon the dreadful faces in the docks before he had brought his
catalogue to bear on one of them.
Public-domain text, read in full here on John Shaqi.
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