Here were wretches whose vile deeds had long been familiar to the
schoolboy through a work on his father’s shelves called _Annals of Our
Time_. He recalled bad nights when certain of those annals had kept
him awake long after his attack; and here were the actual monsters, not
scowling and ferocious as he had always pictured them, but far more
horribly demure and plump. Here were immortal malefactors like the
Mannings; here were Rush and Greenacre cheek by jowl, looking as though
they had stepped out of Dickens in their obsolete raiment, looking
anything but what they had been. Some wore the very clothes their quick
bodies had filled; here and there were authentic tools of death, rusty
pistols, phials of poison with the seals still bright, and a smug face
smirking over all in self-conscious infamy. There was not enough of the
waxwork about these creatures; in the poor light, and their own
clothes, and the veritable dock in which many of them had heard their
doom, they looked hideously human and alive. One, a little old man, sat
not in the dock but on the drop itself, the noose dangling in front of
him; and the schoolboy felt sorry for him, for his silver bristles, for
the broad arrows on his poor legs, until he found out who it was. Then
he shuddered. It was Charles Peace. He had first heard of Charles Peace
from the nice governess aforesaid; and here under his nose were the old
ruffian’s revolver, and the strap that strapped it to his wrist, with
the very spectacles he had wiped and worn. The hobbledehoy was almost
as timorously entranced as he had been in infancy by untimely tale of
crime. He stood gloating over the gruesome relics, over ropes which had
hanged men whose trials he had read for himself in later days, and yet
wondering with it all whether he would ever get these things out of his
mind again. They filled it to overflowing. He might have had the horrid
place to himself. Yet he had entered it with much amusement at the
heels of a whole family in deep mourning, a bereaved family drowning
their sorrow in a sea of gore, their pilot through the catalogue a
conscientious orphan with a monotonous voice and a genius for
mis-pronunciation. Pocket had soon ceased to see or hear him or any
other being not made of wax. And it was only when he was trying to
place a nice-looking murderer in a straw hat, who suddenly moved into a
real sightseer like himself, that the unwholesome spell was broken.
Public-domain text, read in full here on John Shaqi.
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