The Capitals of Spanish AmericaCurtis, William Eleroy
History
The Capitals of Spanish America
Curtis, William Eleroy
Capitals (Cities) -- Latin America; Cities and towns -- Latin America; Latin America -- Description and travel
The audience was very large, and composed of all classes, from the proud
Castilian who came behind his four-in-hand, with a retinue of outriders,
to the poor peon who had been saving his scanty earnings for a week, and
walked five miles to witness the ghastly spectacle. There were perhaps
ten thousand people, and one-fifth of them were women in silks and
satins, in jewels and rare laces, who hid their eyes behind their fans
when the spectacle was too repulsive, but encouraged the matadors with
applause at the end of each act.
A band of music played lively airs, and played them well, to entertain
the people until the Governor came, whose presence being recognized, the
people gave a cordial cheer by way of welcome. Then the herald in the
Governor’s box blew a signal which sounded like the “water call” of the
United
[Illustration: THE PICADORS.]
[Illustration: TEASING THE BULL.]
States Cavalry, the doors of the pit were opened, and in marched a dozen
or so of matadors, in the same sort of jackets and breeches which they
wear in the pictures of Spanish life so familiar to all. Each wore a
plumed hat, a scarlet sash, a poniard, and the gold lace upon the black
velvet showed their lithe and supple forms to advantage. They looked as
Don Juan looks in the opera, while the leader, Bernardo Cavino, “del
decano de los toreros,” I was a veritable Figaro, in appearance at
least. Each carried a scarlet cloak upon his arm, and in the other hand
a pikestaff. Behind them came a troop of eight horsemen upon gayly
caparisoned steeds, with the usual amount of silver and leather
trappings in which the Mexicans delight. The procession tailed up with a
team of four mules hitched abreast, dragging a whiffletree and a long
rope. These, we are told, were for the purpose of dragging out the dead.
The cavalcade made a circuit of the amphitheatre, like the grand entrée
at a circus, and upon reaching the Governor’s box stopped, saluted him,
and received a short address in Spanish, which probably was simply one
of approval and congratulation at their fine appearance. There was a
rack in front of the Governor’s box upon which hung several rows of
darts, gayly decorated with paper rosettes and paper fringes of gold and
other brilliant tints. Upon these racks the matadors hung their plumed
hats, and stood a while to give the ladies and gentlemen of the audience
an opportunity to see and admire.
[Illustration: THE ENCORE.]
Public-domain text, read in full here on John Shaqi.
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