The Case Against Spirit PhotographsPatrick, C. Vincent
History
The Case Against Spirit Photographs
Patrick, C. Vincent
Parapsychology; Spirit photography; Spiritualism
Very few copies of Mumler’s photographs still exist; they are all
similar in their general characters to the first. Noteworthy points
are that the spirits are always without legs, and are usually on the
right of the sitter. A considerable number of his extras, indistinct
though they were, were recognised by the sitters and their friends as
the dead person whose photograph they were expecting. (The value of
these recognitions is dealt with in a later section.) Naturally, cries
of fraud were raised, and investigators, consisting of men of science
and newspaper representatives, devised “test conditions” to eliminate
this possibility. This they did to their own satisfaction, and obtained
spirit extras; but on reading their accounts it is easy to see that
ample loopholes were left for fraud. In some cases the camera and lens
were minutely inspected, and Mumler’s operations carefully supervised,
but a glass plate provided by Mumler was used for the sensitised
emulsion. (How this renders a natural explanation of the extra possible
is explained in the section on methods of fraud.) In other cases where
tests were instituted the developing-room was in complete darkness, no
ruby light being used, which put the investigators completely in the
medium’s hands.
On one occasion Mumler was persuaded to forsake his studio for the
private house of an investigator. Here he was not allowed to use any of
his own apparatus--camera, plates, and chemicals all being provided for
him. The result was a complete failure to get anything abnormal on the
plates. Mumler explained that he “thought his (medium’s) influence had
not been sufficiently long in contact with the chemicals.” This one can
readily believe.
He presently became bolder, and his spirits’ features became more
distinct. This led to a bad mistake, for in February 1863 the sceptics
were able to show that one of Mumler’s spirit extras was the likeness
of a man still alive, and living in Boston; and, worse still, that this
man had had his photograph taken by Mumler a few weeks before. Such
carelessness on the part of the spirits ruined a promising business,
for after the outcry which followed we hear no more of Mumler for some
six years.
Public-domain text, read in full here on John Shaqi.
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