The Case for Spirit Photography: With corroborative evidence by experienced researchers and photographersDoyle, Arthur Conan
Religion
The Case for Spirit Photography: With corroborative evidence by experienced researchers and photographers
Doyle, Arthur Conan
Spirit photography; Spiritualism
With these preliminary remarks I will now lay before the reader a
selection of cases which I have taken from Mr. Hope’s record, and I will
ask him to read them carefully and see if they can be reconciled with
any possible system of fraud. We are, of course, always open to the
objection that a man may be perfectly honest fifty times and fraudulent
the fifty-first. That is undeniable and constitutes the great difficulty
in dealing with isolated cases where no impartial witness was present,
and where both the accusation and the defence are equally _ex-parte_
statements. We can only say in rebuttal that previous honesty must
predispose us to assume that there is no fraud, and remind our readers
that if we can only show one single case, which is absolutely beyond
criticism, then we have for ever settled the larger contention, that
it is possible in the presence of certain individuals, whom we call
mediums, to produce effects which are supernormal and which would appear
to indicate separate intelligences acting visibly quite independently of
ourselves.
CHAPTER II
SOME PERSONAL EXPERIENCES
I will first give an account of my own visit to Crewe which was in the
summer of 1919. I bought my plates in Manchester and then travelled over
to keep the appointment which had been made a week before. Arriving at
Crewe, I went down to the little house in Market Street, which is so
modest and humble that it furnishes an argument in itself against any
undue cupidity on the part of its tenant. Two spiritualistic friends, Mr.
Oaten, editor of the _Two Worlds_, and Mr. Walker, were my companions.
Mr. Hope and Mrs. Buxton were waiting for us, and, after a short
religious service, Mr. Hope and I went into the dark room. There I opened
the packet of plates, put two into the carrier and marked them then and
there. The carrier was then taken into the room and Mr. Hope inserted
it into the camera. We three spiritualists sat in front with a rug, or
blanket, as a background. The exposure having been made, the carrier was
taken back into the dark room where, with my own hands, I took out the
plates, developed them and fixed them. So far as I could judge, there was
at no stage any possibility of changing the plates.
But this question does not really arise. No changing of plates would
account for the effect actually produced. This effect I have shown in
Figure 1. There is a hazy cloud covering us of what I will describe as
ectoplasm, though my critics are very welcome to call it cotton-wool
if it eases their feelings to do so. In one corner appears a partial
materialisation of what seems to be the hair and forehead of a young man.
Across the plate is scrawled, “Well done, Friend Doyle, I welcome you to
Crewe. Greetings to all. T. COLLEY.”
Public-domain text, read in full here on John Shaqi.
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