The Case for Spirit Photography: With corroborative evidence by experienced researchers and photographersDoyle, Arthur Conan
Religion
The Case for Spirit Photography: With corroborative evidence by experienced researchers and photographers
Doyle, Arthur Conan
Spirit photography; Spiritualism
I have already explained that Archdeacon Colley was the founder of the
Crewe Circle, and if, as we believe, we continue our interest after
death it would seem not unnatural that he should send a kindly word to
a visitor who was working for the cause. How can we determine that the
message was really from Archdeacon Colley? The obvious way would be to
get a sample of his writing in life and to compare it with that upon the
plate. This I have done, as shown in Figure 2. Can anyone deny that the
handwriting is the same in both instances, or can anyone suppose that
the rough script of Hope could possibly be modified into the scholarly
handwriting of the Archdeacon? Whence, then, did this message come?
Does anyone imagine that a private forger is retained by Hope and lurks
somewhere in that humble abode? It is a problem which calls for an
answer, and no talk about conjuring tricks or transposition of plates has
the least bearing upon it. It may be remarked incidentally that my own
strong desire was to obtain some sign from my son who had passed away the
year before. The result seemed to show that our personal wishes do not
effect the outcome.
Having failed to get what I desired, I remained at Crewe for the night,
and next morning went down to Market Street again. On this occasion I
used Hope’s own plates, having left mine at the hotel. He gave me the
choice of several packets. The result obtained under all the precautions
which I could adopt (it would only weary the reader if I gave every
point of detail) was a photograph of the face of a young man beside my
own. It was not a good likeness of my son, though it resembled him as
he was some eight years before his death. Of the three results which I
obtained at Crewe it was the one which impressed me least. On examination
with a lens it was noticeable that the countenance was pitted with fine
dots, as in the case of process printing. This is to be noticed in a
certain proportion, possibly one in ten, of Hope’s results, and occurs
in the case of persons whose faces could by no possibility have appeared
in newspapers. One can only suppose that it is in some way connected
with the psychic process, and some have imagined a reticulated screen
upon which the image is built up. I am content to note the fact without
attempting to explain it. I have observed the same effect in other
psychic photographs.
Public-domain text, read in full here on John Shaqi.
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