The Case of Wagner: Complete Works, Volume 8Nietzsche, Friedrich Wilhelm
PhilosophyPhilosophy
The Case of Wagner: Complete Works, Volume 8
Nietzsche, Friedrich Wilhelm
Wagner, Richard, 1813-1883
However, as a famous English judge has said:-- "Truth will come out,
even in the witness box," and, as we may add in this case, even in
an autobiography. There is one statement in Wagner's _My Life_ which
sounds true to my ears at least-a statement which, in my opinion,
has some importance, and to which Wagner himself seems to grant a
mysterious significance. I refer to the passage on p. 93 of vol.
i., in which Wagner says:--"Owing to the exceptional vivacity and
innate susceptibility of my nature ... I gradually became conscious
of a certain power of transporting or bewildering my more indolent
companions."
This seems innocent enough. When, however, it is read in conjunction
with Nietzsche's trenchant criticism, particularly on pp. 14, 15, 16,
17 and 18 of this work, and also with a knowledge of Wagner's music, it
becomes one of the most striking passages in Wagner's autobiography;
for it records how soon he became conscious of his dominant instinct
and faculty.
I know perfectly well that the Wagnerites will not be influenced by
these remarks. Their gratitude to Wagner is too great for this. He has
supplied the precious varnish wherewith to hide the dull ugliness of
our civilisation. He has given to souls despairing over the materialism
of this world, to souls despairing of themselves, and longing to be
rid of themselves, the indispensable hashish and morphia wherewith to
deaden their inner discords. These discords are everywhere apparent
nowadays. Wagner is therefore a common need, a common benefactor.
As such he is bound to be worshipped and adored in spite of all
egotistical and theatrical autobiographies.
Albeit, signs are not wanting--at least among his Anglo-Saxon
worshippers who stand even more in need of romanticism than their
continental brethren, --which show that, in order to uphold Wagner,
people are now beginning to draw distinctions between the man and
the artist. They dismiss the man as "human-all-too-human," but they
still maintain that there are divine qualities in his music. However
distasteful the task of disillusioning these psychological tyros may
be, they should be informed that no such division of a man into two
parts is permissible, save in Christianity (--the body and the soul--);
but that outside purely religious spheres it is utterly unwarrantable.
There can be no such strange divorce between a bloom and the plant on
which it blows, and has a black woman ever been known to give birth to
a white child?
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account