The castles and abbeys of England; Vol. 2 of 2: from the national records, early chronicles, and other standard authorsBeattie, William
History
The castles and abbeys of England; Vol. 2 of 2: from the national records, early chronicles, and other standard authors
Beattie, William
Abbeys -- England; Castles -- England
the tendrils creep along the walls, wind round the pillars, wreath the
capitals, or, hanging down in clusters, obscure the space beneath. But
instead of dilapidated fragments, overspread with weeds and choked with
brambles, the floor is covered with a smooth verdant turf, which, by
keeping the original level of the church, exhibits the beauty of its
proportions, heightens the effect of the gray stone, gives relief to the
clustered pillars, and affords an easy access to every part. Ornamented
fragments of the roof, remains of cornices and columns, rich pieces of
sculpture, carved stones and mutilated figures of monks and warriors,
whose ashes repose within these walls, are scattered on the green sward,
and contrast present desolation with former splendour.”
Although the exterior appearance of these ruins is not equal to the
inside view, yet in some positions--particularly to the east--they
present themselves with considerable effect. From a point on its left
bank, and about half a mile down the river, the ruins assume a new
character; and seeming to occupy a gentle eminence, impend over the
river without the intervention of a single cottage to intercept the
view. “The grand east window, wholly covered with shrubs, and
half-mantled with ivy, rises like the portal of a majestic edifice
embowered in wood. Through this opening, and along the vista of the
church, the clusters of ivy, which twine round the pillars or hang
suspended from the arches, resemble tufts of trees; while the thick
mantle of foliage, seen through the tracery of the west window,[47]
forms a continuation of the perspective, and appears like an
interminable forest.”
<g>The Abbey</g> is a cruciform structure, built, it is said, after the model
of Salisbury Cathedral,[48] consisting of a nave, north and south
aisles, transepts, and choir. Its length from east to west is two
hundred and twenty-eight feet, and from north to south, at the
transepts, one hundred and fifty feet. The nave and choir are
thirty-seven feet in breadth; the height of the central arch is seventy
feet, of the smaller arches thirty feet; of the east window sixty-four
feet, and of the west window forty-two feet. The total area originally
enclosed by the walls of the abbey is said to have been thirty-four
acres.
The exterior of the western front is singularly striking; but, on
entering, as already observed, the scene that represents itself is
indescribably grand and impressive. “When we stood at one end of this
awful ruin,” says Gilpin, “the elements of earth and air its only
covering and pavement, and the grand and
[Illustration: VIEW FROM ENTRANCE.]
venerable remains which terminated both, perfect enough to form the
perspective, yet broken enough to destroy the regularity, the eye was
above measure delighted with the beauty, the grandeur, the novelty of
the scene.”
Public-domain text, read in full here on John Shaqi.
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