The castles and abbeys of England; Vol. 2 of 2: from the national records, early chronicles, and other standard authorsBeattie, William
History
The castles and abbeys of England; Vol. 2 of 2: from the national records, early chronicles, and other standard authors
Beattie, William
Abbeys -- England; Castles -- England
The inner walls of the church are nearly entire; most of the elegant and
massive columns, as already noticed, which separated the nave from the
south aisle are yet standing; and the four lofty and magnificent arches
which formerly supported the central tower are nearly perfect. The
columns that divided the nave from the north aisle have fallen; but
their bases still occupy the ground, showing their number, shape, and
dimensions.
<g>Windows.</g>--The magnificent windows are little altered by time: and though
somewhat obscured by a luxuriant and graceful drapery of ivy, the
tendrils of which twine in their tracery, creep along the walls,
encircle the columns, and form natural wreaths around the capitals, the
forms of the principal objects are still so far preserved as to be
easily discriminated. The tracery of the western window, as already
observed, is exquisite; while the eastern window,[49] high and graceful,
and occupying nearly the whole breadth of the choir, with its slender
umbilical shaft rising to a height of fifty feet, and diverging at the
top into rich flowery traces, has quite a magical effect. The other
windows, though less ornamented, are all in character, and have the same
elegant design and finish.[50]
The floor, originally covered with encaustic tiles, is now enveloped in
a thick smooth matting of grass, trimmed like a bowling-green, and here
and there spotted with little heaps of mutilated sculpture, and striped
with flat tombstones--all thrown open to the winds of heaven.
[Illustration]
The effigy of a knight in chain armour, a _pavache_ shield, and crossed
legs, is supposed to be that of <g>Strongbow</g>, first Earl of Pembroke,
already noticed, but more probably that of Roger Bigod, as Strongbow is
historically known to have been buried in Dublin. This interesting
relic, that had escaped the ravages of time and the hostile spirit of
resolution, was at last, as Mr. Thomas informs us, wilfully mutilated by
a native of the village.[51]
The next relic is a group of the Madonna and Child, much disfigured, but
with sufficient evidence of its having been the work of a skilful
artist. Mr. Bartlett considered it to be of very graceful design and
execution.
Near the eastern window is the sculptured head of a friar, with the
tonsure, but otherwise quite disfigured.
Public-domain text, read in full here on John Shaqi.
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