The Catacombs of Rome, and Their Testimony Relative to Primitive ChristianityWithrow, W. H. (William Henry)
History
The Catacombs of Rome, and Their Testimony Relative to Primitive Christianity
Withrow, W. H. (William Henry)
Catacombs -- Italy -- Rome; Church history -- Primitive and early church, ca. 30-600
The dove generally bears in its beak or claws an olive branch, the
sign of the assuaging of the waters of Divine vengeance from the face
of the earth. (See Fig. 43.) It is, then, as Tertullian expresses it, 238
“the herald of the peace of God.”
[Illustration: Fig. 43.--Symbolical Dove.]
[Illustration: Fig. 44.--Doves and Vase.]
[Illustration:
“The place of Primus.”
Fig. 45.--Dove Eating Olive Berries.]
Sometimes it is seen drinking out of a vase, or pecking at grapes or
olive berries, a symbol of the soul’s enjoyment of the fruits and
refreshing draughts of paradise.[371] (See Figs. 44 and 45.) As seen
sitting on the arms of the cross,[372] the dove is an appropriate
symbol of the peace with God purchased by the death of Our Lord Jesus
Christ. The dove in a cage may imply the faithful under persecution, 239
or the soul imprisoned in the body.
The dove was also used in the Catacombs as the symbol of the Holy
Spirit in representations of the baptism of Our Lord, and is described
by Paulinus as similarly employed in the church of Nola.[373]
Tertullian[374] applies toward the ecclesiastical edifice the
expression, _columbæ domus_--“house of the dove”--possibly, however,
with reference to the dove-like religion and character of the
Christians. In Mediæval art the Holy Spirit, under the form of a dove
wearing a cruciform nimbus, the symbol of divinity, is represented
brooding over the face of the waters of primeval chaos, inspiring the
prophets and saints, and even nailed to the cross above the crucified
body of Our Lord. This sacred emblem of the Paraclete, the Divine
Comforter, by a monstrous violation of propriety was emblazoned upon
battle-flags, and the Holy Name given to a military order and to ships
of war.[375]
This emblem was also used in pagan art. The light-winged coursers who 240
drew the airy chariot of Venus were doves. From the oaks of Dodona
doves uttered oracles of the future. A dove was also the celestial
messenger of Mahomet. The olive, too, was sacred to Minerva, and as
the symbol of peace was woven into the victor’s crown.
[Illustration: Fig. 46.--Symbolical Peacock.]
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