The Catacombs of Rome, and Their Testimony Relative to Primitive ChristianityWithrow, W. H. (William Henry)
History
The Catacombs of Rome, and Their Testimony Relative to Primitive Christianity
Withrow, W. H. (William Henry)
Catacombs -- Italy -- Rome; Church history -- Primitive and early church, ca. 30-600
The vine is an appropriate symbol of the intimate union of the
believer and Christ, and the olive tree of a life fruitful in good
deeds, or of the church, in whose sheltering arms all souls may find
rest, as the fowls of the air in the boughs of a tree. Flowers and
fruits may be the emblems of future beatitude; and a loaf, of the
bread of life or of the holy eucharist. The fountain is a type of the
living waters, and the lyre, of the influence of the Divine Orpheus.
The lamp and the light-house are the emblems of spiritual illumination
through the gospel. The balance may refer to the just dealing of the
deceased, or perhaps to the final judgment and the Eastern notion of
psychostasy.[385] The house probably indicates the tabernacle of the
body, or perhaps the last long home of the grave, or the house not
made with hands on high. Most of the symbols, however, refer to the
person and work of Christ, as the central and dominating idea of the 243
church of the Catacombs. Some of these are of such importance and of
so frequent occurrence as to demand a more detailed examination.
One of the most striking and beautiful of these symbols is that which
represents Christ as the Good Shepherd, and believers as the sheep of
his fold. While the doves, as we have seen, may be regarded as
emblematic of the beatified spirits of the departed, the sheep more
appropriately symbolize those who, still in the flesh, go in and out
and find pasture. Suggesting the thought of that sweet Hebrew
idyl[386] of which the world will never grow tired; which, lisped by
the pallid lips of the dying throughout the ages, has strengthened
their hearts as they entered the dark valley; and to which Our Lord
lent a deeper pathos by the tender parable of the lost sheep--small
wonder that it was a favourite type of that unwearying love that
sought the erring and the outcast and brought them to his fold again.
With reiterated and manifold treatment the tender story is repeated
over and over again, making the gloomy crypts bright with scenes of
idyllic beauty, and hallowed with sacred associations.
This symbol very happily sets forth the entire scope of Christian
doctrine. It illustrates the sweet pastoral representations of man’s
relationship to the Shepherd of Israel who leadeth Joseph like a
flock,[387] and his individual dependence upon him who is the Shepherd
and Bishop of all souls.[388] But it especially illustrates the
character and office of Our Lord, and the many passages of Scripture
in which he represents himself as the Good Shepherd, who forsook his
eternal throne to seek through this wilderness-world the lost and
wandering sheep, to save whom he gave his life that he might bring 244
them to the evergreen pastures of heaven.
Public-domain text, read in full here on John Shaqi.
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