The Cathedral Builders: The Story of a Great Masonic GuildScott, Leader
History
The Cathedral Builders: The Story of a Great Masonic Guild
Scott, Leader
Cathedrals; Church architecture; Guilds
This brings us to the question of the Latin nomenclature. No really
qualified Comacine architect is ever mentioned either in sculptured
inscription, parchment deed, or in the registers of the lodges,
without the prefix _Magister_, a title which Cassiodorus, for one,
respected. It was not a term applied indiscriminately to all builders,
like _murarius_; and we find that the subordinate ranks of
stone-cutters or masons were called by the generic name of
_operarius_. I take it that the word, as applied to the higher rank of
the Comacine Guild, has the same value as the title of _Master_ in the
old trade guilds of London, _i.e._ one who has passed through the
lower rank of the schools and laborerium, and has by his completed
education risen to the stage of perfection, when he may teach others.
Morrona[8] gives the same definition. Judging from ancient
inscriptions and documents, he says that "operator" (Latin
_operarius_) is used for one who works materially; while _Magister_
signifies the architect who designs and commands. When a _Magister_
carries out his own designs, he is said to be _operator ipse
magister_, as in the case of Magister Rainaldus, who designed and
sculptured the façade of the Duomo at Pisa.
In warlike times such as the Middle Ages, the only means by which
artisans could protect their interests was by mutual protection, and
hence the necessity and origin of Trade Guilds in general. The Masonic
one appears to have been a universal fraternity with an earlier
origin; indeed many of their symbols point to a very ancient Eastern
derivation, and it is probable it was the prototype of all other
guilds.
Since I began writing this chapter a curious chance has brought into
my hands an old Italian book on the institutions, rites, and
ceremonies of the order of Freemasons.[9] Of course the anonymous
writer begins with Adoniram, the architect of Solomon's Temple, who
had so very many workmen to pay, that not being able to distinguish
them by name, he divided them into three different classes, _novices_,
_operatori_, and _magistri_, and to each class gave a secret set of
signs and passwords, so that from these their fees could be easily
fixed, and imposture avoided. It is interesting to know that precisely
the same divisions and classes existed in the Roman _Collegium_ and
the Comacine Guild--and that, as in Solomon's time, the great symbols
of the order were the endless knot, or Solomon's knot, and the "Lion
of Judah."
Public-domain text, read in full here on John Shaqi.
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