Our author goes on to tell of the second revival of Freemasonry, in its present entirely spiritual significance, and he gives Oliver Cromwell, of all people, the credit of this revival! The rites and ceremonies he describes are the greatest tissue of mediæval superstition, child's play, blood-curdling oaths, and mysterious secrecy with nothing to conceal, that can be imagined. All the signs of masonry without a figment of reality; every moral thing masquerades under an architectural aspect, in that "Temple made without hands" which is figured by a Freemasons' lodge in these days. But the significant point is that all these names and masonic emblems point to something real which existed at some long-past time, _and, as far as regards the organization and nomenclature, we find the whole thing in its vital and actual working form in the Comacine Guild_. Our nameless Italian who reveals all the Masonic secrets, tells us that every lodge has three divisions, one for the novices, one for the _operatori_ or working brethren, and one for the masters, besides a meeting or recreation room; and that no lodge can be established without a minimum of two masters. Now wherever we find the Comacines at work, we find the threefold organization of _schola_ or school for the novices, _laborerium_ for the _operatori_, and the _Opera_ or _Fabbrica_ for the Masters of Administration. The anonymous one tells us that there is a _Gran Maestro_ or _Arch-magister_ at the head of the whole order, a _Capo Maestro_ or chief Master at the head of each lodge. Every lodge must besides be provided with two or four _Soprastanti_, a treasurer, and a secretary-general, besides accountants. This is precisely what we find in the organization of the Comacine Lodges. As we follow them through the centuries we shall see it appearing in city after city, at first dimly shadowed where documents are wanting, but at last fully revealed by the books of the treasurers and _Soprastanti_ themselves, in Siena, Florence, and Milan.