Among the archives of the cathedral there are, says a local antiquary, documents of a testamentary nature, which provided the means for the up-keep of the fabric without expense to the church, until well into the eighteenth century. On the apex of the height which rises above the cathedral is the Basilique de Notre Dame de Fourvière--"one of those places of pilgrimage, the most venerated in all the world," says a confident French writer. This may be so; it overlooks ground which has long been hallowed by the Church, to a far greater degree than many other parts, but, like so many places of pilgrimage of a modern day, its nondescript religious edifice is enough to make the church-lover willingly pass it by. The site is that of the ancient _Forum Vetus_ of the Romans, and as such is more appealing to most than as a place of pilgrimage. V ST. MAURICE DE VIENNE "At the feet of seven mountains; on the banks of a large river; an antique city and a _cité neuve_." --FRANÇOIS PONSARD. Though widowed to-day of its bishop's throne, Vienne enjoys with Lyon the distinction of having its name attached to an episcopal see. The ancient archbishopric ruled over what was known as the Province of Vienne, which, if not more ancient than that of Lyon, dates from the same century--the second of our Christian era--and probably from a few years anterior, as it is known that St. Crescent, the first prelate of the diocese, was firmly established here as early as 118 A. D. In any event, it was one of the earliest centres of Christianity north of the Alps. To-day, being merged with the diocese of Lyon, Vienne is seldom credited as being a cathedral city. Locally the claim is very strongly made, but the Mediterranean tourist never finds this out, unless, perchance, he "drops off" from the railway in order to make acquaintance with that remarkable Roman temple to Augustus, of which he may have heard. Then he will learn from the _habitants_ that by far their greatest respect and pride are for their _ancienne Cathédrale de St. Maurice_, which sits boldly upon a terrace dominating the course of the river Rhône. In many respects St. Maurice de Vienne will strike the student and lover of architecture as being one of the most lively and appealing edifices of its kind. The Lombard origin of many of its features is without question; notably the delightful gallery on the north side, with its supporting columns of many grotesque shapes. Again the parapet and terrace which precede this church, the ground-plan, and some of the elevations are pure Lombard in motive. There are no transepts and no ancient chapels at the eastern termination; the windows running down to the pavement. This, however, does not make for an appearance at all _outré_--quite the reverse is the case. The general effect of the entire internal distribution of parts, with its fine approach from the nave to the sanctuary and choir, is exceedingly notable.