The commencement of the second volume of Madame Craven's history is occupied with the _tableau_ of the interior of her family, who were united at the Chateau of Boury during the years 1836, '37, and '38, which followed the death of M. Albert de la Ferronays. Obliged, by the diplomatic career of her husband, to change frequently her residence--to go from Naples to Lisbon, to London, to Carlsruhe, to Brussels--Madame Craven was almost always separated from her parents and her sisters. To this separation we owe the correspondence which serves today to interest and console us. The description of the interior of the Chateau de Boury, depicted in these letters, resembles a conversation, where each speaks in his turn and with his own peculiar accent. But I will pass over this family picture to return to Madame Albert de la Ferronays, the principal character in my story. In the month of October, 1837, they removed the body of Albert to Boury, in order to bury it in a sepulchre, where they had arranged two places without separation. "Yesterday, alone with Julia, by the aid or a little ladder, Alexandrine descended into the excavation in order to touch and to kiss, for the last time, the coffin in which is enclosed all that she loves. In doing this she was on her knees in her own tomb. On the stone she had engraved: 'What God hath put together, let no man put asunder.'" In 1838 she rejoined her mother in Germany, where she spent the second anniversary of the 29th of June. From Ischl she wrote to her sister a touching description of the death of a young priest, who died of consumption eleven months after his ordination. From Germany Madame de la Ferronays went to Lumigny, from thence to Boury; and when the family resolved to pass the winter of 1839 in Italy, she returned with a sad delight to this beautiful country, where she had been so happy. She wished to revisit all the scenes of her past happiness--to see again the rocks, the trees, the mountains, which had been witnesses of her felicity--not without tears, but without complaining; with the sweet serenity of perfect resignation. "It is here," she said, "that I have been so full of bliss that this world and life appeared too beautiful." After the description of the second journey to Italy, there follows the account of the successive deaths of M. de la Ferronays and the young daughters, Olga and Eugenie. At this time, always absolutely sincere, incapable in anything of being carried away by feeling, Alexandrine thought of entering a convent; she relinquished the idea, but resolved to live in poverty for the poor. From this day she dreams no more, she writes no more, she acts. Her love expresses itself in joyous accents, in words of heavenly sweetness, accompanied by austere virtues. It is the miracle and the triumph of true piety, What is this? demands a disdainful world. Who is this devotee, draped in black, who ventures out in the most inclement season, laden with