CABAR-FEIDH would like to know if any of Grant's [_Bard Mor an t-Slagain_] Poems were ever published? If so, where? and by whom? It is believed many of his pieces, which were famous in his day, are still known in the Lochbroom and Dundonnell districts. _Cabar_ requests that any of the readers of the _Celtic Magazine_ to whom any of the poems are known would kindly forward them for publication. Grant knew more Ossianic poetry than any man of his day--1746 to 1842. Any information regarding him would be of interest. MACAOIDH enquires to what sept of the clan the famous pipers--the Mackays of Gairloch--belonged, and how did they find their way to that part of the country? Are there any of their descendants still living in this country or in North British America, where the last famous piper of the race emigrated? The "Blind Piper" and bard was the most famous of this remarkable family, and was a pupil in the celebrated College of the Macrimmon's in Skye. REPLY TO "GLENGARRY'S" QUERY.--There are words in English to _Piobaireachd Mhic Ranuil_ or _Cilliechriost_, and they, with particulars of the occasion on which the tune was composed, will appear in the next instalment of the HIGHLAND CEILIDH in the _Celtic Magazine_. THE HIGHLAND CEILIDH. BY ALASTAIR OG. [CONTINUED.] ON the conclusion of the "Spell of Cadboll" Norman received the hearty and unanimous congratulations of the circle. The frail old bard, pulling himself together, got up, went across the room, and shook him heartily with both hands. This special honour was a most unusual one. It was clear that _Alastair_ was just in the mood when a little persuasion would suffice to get him to recite one of his own compositions. This he was generally very chary of doing, but Norman getting the hint from one of his immediate neighbours to ask the bard a special favour on this occasion at once begged the honour of hearing one of the bard's compositions from his own lips. The venerable old man bent himself forward, began to work the fingers of both hands and beat time on his leg as on a chanter, humming a quiet _cronan_. This was his usual practice when composing or reciting poetry, and it was at once seen that he would consent. "I will give you," says he, "a _Marbh-rann_, or Elegy which no one ever heard, and which I have recently composed to the late 'Bailie Hector' of Dingwall, a son of my late esteemed friend 'Letterewe,' on condition that you, Sir, will give us another story when I am done." Norman at once agreed, and the bard commenced as follows:-- MARBHRANN. DO BHAILIDH EACHAINN, INBHIR-FEOTHARAN, MAC FEAR LEITIR-IUGH. AIR FONN--"_'S mi 'm shuidhe 'm 'onar._"