The censorship of the Church of Rome and its influence upon the production and distribution of literature, volume 2 (of 2)Putnam, George Haven
History
The censorship of the Church of Rome and its influence upon the production and distribution of literature, volume 2 (of 2)
Putnam, George Haven
Freedom of the press; Liberty of conscience; Prohibited books
Before the beginning of the Reformation, the business of printing
books, which had originated among Germans, had secured in the so-called
Latin countries, Italy, France, and Spain, larger development than
in the German lands. It is certainly the case that, irrespective
of the facilities afforded by the printing-press, the intellectual
development in Italy was, during the 15th and the first portion of
the 16th century, far in advance of Germany and for that matter of
the rest of Europe. If the Reformation was not in itself an important
factor in the transfer of the centre of literary activity, this period
certainly coincided with such transfer. After 1518, the centres of
literary production and intellectual activities are to be sought rather
in Germany and in Holland than in Italy or Spain. France, on the other
hand, appears to have been able, while accepting a rather burdensome
measure of censorship, to have retained an important intellectual
position, the influence of which is, of course, most closely associated
with the university of Paris.
During the years immediately following the invention of printing,
the Church gave to the new art a cordial welcome. The scholarly
ecclesiastics were among the first to recognise the service that could
be rendered by the printers in multiplying for general distribution
the books of doctrine and of devotion. The Church felt secure in its
hold upon the minds of the people and for three quarters of a century,
at least, there was no apprehension that the people could be diverted
from their allegiance to the true Faith. Many of the monasteries
made space for printing-presses, while others placed funds at the
disposal of printers who were needing co-operation. It was not only in
the scholarly circles of the Church that the new art secured prompt
recognition. The Brothers of Common Life, who for a century or more
had taken upon themselves the work of teaching the people and who
had utilised in this work manuscript copies of books of devotion,
were among the first to make use of the printing-press in the work
of education for the distribution of their books of devotion. Within
eighteen years after the production of Gutenberg’s Bible, the Brothers
had printing-presses at work in Deventer (Holland) and in a number of
their monasteries in North Germany. In Strasburg, Magdeburg, Nuremberg,
and elsewhere before 1470, the monasteries of the Carthusians had
established printing-presses.
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