The censorship of the Church of Rome and its influence upon the production and distribution of literature, volume 2 (of 2)Putnam, George Haven
History
The censorship of the Church of Rome and its influence upon the production and distribution of literature, volume 2 (of 2)
Putnam, George Haven
Freedom of the press; Liberty of conscience; Prohibited books
important clause in the Concordat was the seventh, which provided that
the right of the bishops and inquisitors to prohibit books not on the
present Index should refer only to books which attacked religion, or
which were printed outside of Venice, or which were issued with a
false imprint. This limitation of the ecclesiastical Inquisition to
purely religious or theological questions constituted a most valuable
precedent in the long fight between the Church and the secular
authorities for the control of the press. The Concordat was the last
arrangement arrived at until the year 1766 between Rome and Venice in
regard to the supervision of the press. During the century and a half
following the Concordat, the Venetian republic persistently refused to
authorise the publication within its territory of an augmented Index.
A list of later prohibitions was, however, finally accepted in 1766,
_juxta formam concordatorum_.
The most prominent figure in this long struggle between Venice and
the Papacy was Fra Paolo Sarpi. Cleric though he was, he contended
vigorously that the Church was embarking upon a wrong course, and he
held that the State was justified in resisting, in secular matters,
ecclesiastical encroachments upon the rights of the sovereign. The
fight made by Sarpi on behalf of the independence of the State, and
particularly of the right of the State to supervise and control
literary productions, was of first importance for the intellectual
activities of Europe. The arguments used in Venice were repeated in
Madrid, Paris, Zürich, and Oxford. Time was gained for authors and for
printers, until, largely by means of the presses which the Church was
endeavouring to throttle, the spirit of resistance to the domination
of the Papacy, and the feeling of national independence against the
right of Rome to lay down the law for Europe, had gathered so much
strength that the claims of the Church had to be withdrawn or very much
moderated.
In 1613, two books by the Englishman Thomas Preston, who wrote under
the name of Roger Widdrington, _Apologia Cardinalis Bellarmini_ and
_Disputatio Theologica_, were placed on the Index by the Congregation.
The Government of Venice, acting under the advice of Sarpi, refused
to allow the provision to take effect in Venice on the two grounds
that the theological doctrines taught by Widdrington were sound and
orthodox, and that his arguments against the pernicious doctrine of
the temporal authority of the pope over princes were eminently worthy
of dissemination.
Public-domain text, read in full here on John Shaqi.
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