The reports concerning the extent of the influence of censorship, from one authority or another, on the literary activities of France are, as we have seen, conflicting. The authority of the Sacred Office was, as stated, not accepted in France, and the work of the French writers of the 16th century was not seriously affected by the condemnations and expurgations, sometimes severe and sometimes indulgent, with which was supervised and restricted the literature of Italy. It is contended nevertheless (at least by French historians) that the productions of the French writers of the century, freer from the trammels of censorship as these writers were, represented a higher standard of morality and of refinement than characterised the contemporary literature of Italy. During the 17th century, persistent attempts were made in France as in other Catholic States to enforce throughout the realm a policy of censorship. By one set of authorities, investigations are carried on in the bookshops and in public and private libraries, and copies of obnoxious or suspicious books are burned at the hands of the hangman; by another, St. Cyran is placed in prison and Arnauld and others of his group are driven into exile. The _Lettres Provinciales_ of Pascal are indeed brought into print, but only by cleverly eluding the vigilance of the inspectors. It is nevertheless the case that at no time during the century did it prove to be practicable to keep in force, through the entire territory of the State, any consistent or effective policy. The authority to order proceedings against authors or to make condemnations of books is not, as was the case in Spain, in the hands of a special tribunal, all-powerful and irresponsible. In the place of an Index which preserves the record of a condemnation that has once been pronounced, we have individual edicts or orders which easily fall into oblivion; and in place of a Congregation or of an Inquisition, we find distinct authorities, and sometimes simple local authorities, the actions of which are more or less conflicting and lack permanency of influence. There is also throughout the century, as later, among the ecclesiastics themselves, a strong national feeling of protest against the exercise within the territory of France of censorship authority directed by Italians or Spaniards.[133] While in Italy, the Church labours single-handed at the task of reforming the people, in France it is the entire nation, without distinction of ecclesiastics and laymen, that undertakes the reformation of itself. Frenchmen of the 17th century, equally assured of their devotion to the true faith and of their intention to maintain the virtues of Christianity, refuse to admit the necessity for submitting to a theocracy, a religious dictatorship, and for putting literature, so to speak, into a state of siege.