The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
_Aug. 22._ At Nottingham. Called on Mr. Rigley; he says he was
used ill about some figure Thorpe sent, not to order, and has
done.
_Sept. 24._ At Bow. Went to hear Mr. John Crowther preach his
first sermon.
_Oct. 16._ Bought a china figure for Mrs. McNally, 4_s._
Painting do., 1_s._ 3_d._
Treating Mrs. McNally, wine, 1_s._
Went to see her home from the play, 1_s._; purl, 2_d._
(This lady was a good customer of the firm: on
referring to the cash-book, we find she paid, on Oct.
16th, £18 13_s._ 9_d._)
_Nov. 27._ At Bow. Observed in the burning of the bisquit ware
that dishes and plates should be burnt in new cases, and only
one in each case, as when two are burnt in one another it is
certain that one is always bad.
All handled chocolates and coffees and handled teas to be burnt
with covers.
_Dec. 26._ Dined with Mr. H. Frye and family at Stratford.’
“In the front of this book is a note in pencil, written in 1866,
stating that--
“‘One hundred years since, John Bowcocke died, Tuesday, Feb.
26th, 1765, at 6 o’clock in the evening, of lockjaw. He was
brother to William Bowcocke, of Chester, painter, my mother’s
father.--THOS. BAILEY.’
“In the same collection are two books of pencil sketches by a French
artist named De la Cour, of plants, trees, festoons of flowers, rococo
scrolls, cane handles, frames, chimney-pieces, landscapes (among which
is a view of London), figures, single figures for statuettes, &c.
Another book contains coloured engravings by Martin Engelbrecht, of
Nuremberg, of a great variety of subjects suitable for painting on
china: costumes of various nations, ladies and gentlemen splendidly
attired, shepherds and shepherdesses, garden scenes and summer-houses,
palaces, birds, animals and insects, hunting scenes, musicians, Chinese
figures and scenery, interlaced ornaments, &c. A fourth book, published
by Edwards and Darley, 1754, consists of engraved subjects,--Chinese
interiors, vases, figures, pagodas, bridges, animals, exotic birds,
insects, &c. The Chinese designs are mixed up with _rococo_ scrolls and
other ornamental work.”
Enough will have been gleaned from the foregoing regarding the various
productions of the Bow Works. One or two noted examples, however,
require to be specially named, as being usually associated in the minds
of collectors with this manufactory. One of these is a well-known small
goat milk-jug which was formerly always attributed to Bow. It bears a
bee in relief under the spout which was supposed to be allegorical of
the initial B of Bow. Some examples, however, are without the bee. They
are occasionally marked with a simple triangle, which, however, has
been shown to have been occasionally used at Chelsea; and that the goat
jugs were also there made.[71]
Public-domain text, read in full here on John Shaqi.
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