The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
the last layer of plasters, until he had reached the top, in which a
small aperture was left, and the clay nipped round the edge; another
coating would then be laid on as before described. Directly after,
gravel or loam was thrown up against the side wall where the clay
wrappers were commenced--probably to secure the bricks and the clay
coating. The kiln was then fired with wood.[9] In consequence of the
care taken to place grass between the edges of the wrappers, they could
be unpacked in the same size pieces as when laid on in a plastic state;
and thus the danger in breaking the coat to obtain the contents of the
kiln could be obviated. In the course of my excavations I discovered a
curiously constructed furnace, of which I have never before or since
met an example. Over it had been placed two circular vessels; the next
above the furnace was a third less than the other, which would hold
about eight gallons; the fire passed partly under both of them, the
smoke escaping by a smoothly-plastered flue, from seven to eight inches
wide. The vessels were suspended by the rims fitting into a circular
groove or rabbet, formed for the purpose. They contained pottery, both
perfect and fragmentary. It is probable they had covers, and I am
inclined to think were used for glazing peculiar kinds of the immense
quantities of ornamented ware made in this district. Its contiguity
to one of the workshops in which the glaze (oxide of iron) and other
pigments were found confirms this opinion.”
[Illustration: Fig. 102.--Potter’s Kiln, Castor.]
Public-domain text, read in full here on John Shaqi.
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