The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class — John Shaqi
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
The practice of the fictile art in England dates back, as I have
already said, to a very remote period--that of its Celtic or ancient
British population, by whom there is abundant evidence it was much
esteemed. It is pleasant to know, and to be able indisputably to
prove, that from those early days down to the present time the art
has, through a long succession of ages, continued with more or less
skill, to be observed among us, and that thus in pottery, as in nothing
else, an unbroken chain, connecting us in our present high state of
civilisation with our remote barbarian forefathers of the stone age,
exists. The weapons and other implements of imperishable stone and
flint have, long ages ago, died out, and any possible connection
between them and the weapons or tools of our own day has died with
them; but the vessels of simple clay have an abiding-place with us
which has lasted without a break until now, and will yet last for ever.
Hitherto the course of the potter’s art has been one of constant and
gradual improvement; but its capabilities for further development are
almost unbounded, and another generation will witness advances of which
we can now but dimly dream.
Among the ancient Britons, vessels of clay were formed for sepulchral
and other uses, and it is entirely to their grave-mounds that we are
indebted for the examples which have survived to our time. It is in
the course of examination of these mounds that these fictile remains
have been brought to light; and it is by a careful examination of these
alone, and by constant comparison of the “finds” of one locality with
the discoveries of another, that a proper estimate of their character
has been, or can be, drawn.
[Illustration: Fig. 2.--Monsal Dale.]
[Illustration: Fig. 3.--Cleatham.]
The pottery of this period may be safely arranged in four classes[1],
viz.--1. _Sepulchral_ or _Cinerary Urns_, which have been
made for and have contained, or been inverted over, calcined human
bones; 2. _Drinking Cups_, which, in a similar manner, are
supposed to have contained some liquid to be placed with the dead
body; 3. _Food Vessels_ (so called), which are supposed to have
contained an offering of food, and which are more usually found
with unburnt bodies than along with interments by cremation; 4.
_Immolation Urns_, (erroneously called _Incense Cups_ by Sir
R. Colt Hoare for want of more knowledge of their use), which are very
small vessels, found only with burnt bones (and usually also containing
them), placed in the mouths of, or close by, the larger cinerary urns.
These latter I believe to have been simply small urns intended to
receive the ashes of the infant, perhaps sacrificed at the death of its
mother, so as to admit of being placed within the larger urn containing
the ashes of the parent: I venture, therefore, to name them “Immolation
Urns.”
Public-domain text, read in full here on John Shaqi.
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