The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
No notice of the pottery of this period is to be found in ancient
writers, if we except the allusion of Strabo,[2] who says that one of
the commodities with which the Phœnicians traded to the Cassiterides
was earthenware. But in connection with this it is necessary to state
that no example of pottery which can possibly be traced to Phœnician
origin has as yet been found in any of the hundreds of barrows which
have been opened.
[Illustration: Fig. 4.--Ballidon Moor.]
[Illustration: Fig. 5.--Tresvenneck.]
The pottery exhibits considerable difference, both in clay, in size,
and in ornamentation. Those presumed to be the oldest are of coarse
clay mixed with small pebbles and sand; the later ones of a somewhat
less clumsy form, and perhaps a finer mixture of clays. They are
entirely wrought by hand without the assistance of the wheel, and are
mostly very thick and clumsy. They are very imperfectly fired, having
probably been baked on the funeral pyre.
In the examination of barrows of this period it not unfrequently
happens that the spot where the funeral pyre has been lit can very
clearly be perceived. In these instances the ground beneath is
generally found to be burned to some considerable depth; sometimes,
indeed, it is burned to a fine red colour, and approaches in texture
somewhat to that of brick. Where it was intended that the remains
should be placed in an urn for interment, it appears, from careful
examinations which have been made, that the urn being formed of
clay--most probably, judging from the delicacy of touch, and from the
impress of fingers which occasionally remains, by the females of the
tribe--and ornamented according to the taste of the manipulator, was
placed in the funeral fire and there baked, while the body of the
deceased was being consumed. The remains of the calcined bones, the
flints, &c., were then gathered up together, and placed in the urn;
over which the mound was next raised.
[Illustration: Fig. 6.--Trentham.]
Public-domain text, read in full here on John Shaqi.
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