I have lately sett up at Fulham aforesaid,” and which were composed of “Stourbridge clay and Dorsetshire clay, calcined; mix them with Woolwich sand and water, to be trodden with the feet, and then burned.” For these he had, in the previous year, obtained a premium from the Society of Arts. In 1795 the works were, according to Lysons, “carried on by Mr. White, a descendant in the female line of the first proprietor,” and they were so continued until 1862, when, on the death of the then Mr. White, they passed into the hands of Messrs. Makintosh and Clements. Two years later, however, on the death of Mr. Makintosh, the works were sold to the present proprietor, Mr. C. I. C. Bailey, who shortly afterwards considerably enlarged and improved them; he having built a new factory and introduced the newest and most improved machinery. The articles and the wares made by the Dwights will have been pretty well understood from the foregoing notice; but, in addition, it is essential to speak of some few well-authenticated examples which still exist. About the time of the sale in 1862, Mr. Baylis, of Priors Bank, obtained from the Fulham works a number--about twenty-five--of extremely curious and historically valuable specimens of the ware produced there by the Dwights, and kept in the family. Of these he sent a brief account to the _Art-Journal_,[48] a part of which I here transcribe:-- “The first is a dish, said, and with more than mere probability, to be one of a dinner set manufactured for the especial service of Charles II. It is of a round form and large size, being 64½ inches in circumference. The groundwork is a rich blue, approaching to the ultramarine; it is surrounded by a broad rim nearly four inches wide, formed by a graceful border of foliage and birds in white, and shaded with pale blue. The whole of the centre is occupied by the royal arms, surmounted by its kingly helmet, crown and lion crest. The arms themselves are encircled with the garter, on which is inscribed the well-known motto, ‘_Honi soit qui mal y pense_.’ The arms and supporters rest upon a groundwork of foliage, in the middle of which is the motto, ‘_Dieu et mon Droit_.’ The workmanship of this piece of crockery is of very superior character, and a dinner set of similar ware would make many a modern one look poor. The solitary specimen left of this once-magnificent royal dinner service _is believed to be by far the finest extant of this early English manufacture_, and includes five classical figures of brown ware, of admirable execution, testifying to the skill and taste of the Italian workmen: they consist of Saturn--at least we presume it is meant for him, as he is represented with a child in his arms, which he seems to be on the point of devouring, according to his agreement with his brother Titan. He has already got the child’s hand in his mouth, and the bite