The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
“Chaffers and Co., China Manufactory.--The porcelain or china
ware made by Messrs. Richard Chaffers & Co., is sold nowhere in
the town, but at the manufactory on Shaw’s Brow. Considerable
abatement for exportation, and to all wholesale dealers.
N.B.--All the ware is proved with boiling water before it is
exposed for sale.”
Liverpool may therefore boast of producing its china in 1756, if not
in 1755, which is an early date in the annals of English porcelain
manufacture. Not only, however, in this year did Richard Chaffers and
Co. make china-ware, but another firm, that of William Reid and Co.,
held at the same time, as I shall presently show, the “Liverpool China
Manufactory,” where they produced blue and white ware in considerable
quantities.
[Illustration: Fig. 22.]
Of the “china ware” made by Richard Chaffers some excellent examples
are in the Mayer collection. They are unmarked, but remained in the
possession of the family until they passed from Chaffers’s descendant
to Mr. Mayer. One of these is the cup (Fig. 22.) It is, of course,
of “hard paste,” and is of remarkably compact and excellent texture.
It is painted, after the Indian style, with figure and landscape of
good and rich colours, and is faultless in manipulation and in its
glaze. Examples of Chaffers’s china are of exceeding rarity, but in
the Mayer collection is a fine jug, bearing in front a portrait of
Frederick the Great, with trophies of war on either side. This jug has
the peculiarity of being painted inside as well as out. At the bottom,
inside, is the Prussian Eagle in a border; in the spout is a trophy,
and all around the inside of the vessel roses and other flowers are
spangled about.
Chaffers carried on his works for some years, making both earthenware
and china--the former largely, the latter but to a limited extent--but
was suddenly cut off in the midst of his usefulness, and at an
early age. It appears that Podmore, his foreman, being seized with
a malignant fever, and beyond hope of recovery, sent a message to
Chaffers, expressing “his wish to see his dear master once more before
their final separation.” With this request Mr. Chaffers, who was a man
of full and sanguine habit, most kindly but unfortunately complied,
and at once visited the sufferer. The consequence was he took the
fever, and soon afterwards died, and master and servant were interred
near to each other in St. Nicholas’s churchyard. “This unfortunate
event, by taking away both master and principal assistant, put an
end to the prosecution of the trade, and was the commencement of the
breaking up of that branch of the art which Mr. Chaffers had mainly
brought to such a high state of perfection. A great number of the
potters ultimately emigrated to America, whilst many of the best hands
transferred themselves to the service of Mr. Wedgwood, or were hired by
other Staffordshire manufacturers.”
* * * * *
Public-domain text, read in full here on John Shaqi.
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