The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
_Reid & Co._--About the year 1753 or 1754, I believe, works were
established in Liverpool by a Mr. William Reid, who afterwards took
a partner and conducted his business under the style of Reid & Co.
These works, in 1756, were called “the Liverpool China Manufactory.”
In that year Messrs. Reid & Co. opened a warehouse in Castle Street,
as is shown by the following announcement in Williamson’s _Liverpool
Advertiser_ of November 19, 1756:--
“Liverpool China Manufactory.--Messrs. Reid & Co., proprietors
of the China Manufactory, have opened their warehouse in Castle
Street, and sell all kinds of blue and white china ware, not
inferior to any make in England, both wholesale and retail.
Samples sent to any gentlemen or ladies in the country who will
pay carriage. Good allowance for shopkeepers and exporters.”
In 1758, Messrs. Reid & Co. removed their warehouse to the top of
Castle Hey, where, having largely increased their business, they
occupied much more extensive premises. In the same year they were found
advertising for apprentices for the painters in the china manufactory.
In 1760, again, the works appear to have considerably increased, and
“several apprentices for the china work” were advertised for, as well
as “a sober, careful man, who understands sorting and packing of ware
and merchants’ accounts.” Messrs. Reid & Co. continued in business
many years, and produced, besides their “china ware,” a considerable
quantity of the ordinary blue and white earthenware, most of which was
exported.
* * * * *
_Pennington._--Another of the principal manufacturers of Liverpool
pottery was Seth Pennington, of whose works, as well as those of
his two brothers, a few words may well be here introduced. Of the
Penningtons, three brothers were potters, and each had separate works.
Their names were James, John, and Seth, and they were sons of John
Pennington, a maltster, by his wife, formerly a Mrs. Johnson, of
Everton. James Pennington, the eldest, had his works on Copperas Hill,
but produced only the commoner varieties of ware, and being dissipated,
and having done his youngest brother a serious injury by divulging
a secret in the mixing of colour, he removed to Worcester, where he
obtained employment, and where, at a later period, one of his sons
painted a fine dinner service for the Duke of York.
[Illustration: Fig. 23.--Part of Pennington’s Works.]
John Pennington, the second son, had his pot-works at Upper Islington,
which he carried on for some time. Ultimately he sold the concern to a
Mr. Wolf, “who being a scientific man, made great improvements in the
ware, but ultimately finding it did not answer, as the Staffordshire
potters were making such rapid strides towards monopolising the whole
trade, he gave up the manufacture, and the works were closed, never to
be resumed.”
[Illustration: Figs. 24 and 25.]
Public-domain text, read in full here on John Shaqi.
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