The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class — John Shaqi
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
This bowl was painted probably about the year 1760–70 by John Robinson,
who was apprenticed, and afterwards employed, at Pennington’s works.
Robinson subsequently removed into Staffordshire, and ultimately
presented the bowl to the Potteries Mechanics’ Institution at Hanley,
where it is now carefully preserved along with his note--“John
Robinson, a pot painter, served his time at Pennington’s, in Shaw’s
Brow, and there painted this punch-bowl.” Several other bowls of
Pennington’s make are in the Mayer collection. Of these, two of the
finest are dated. One bears on its outside a design of trees, birds,
and butterflies, painted in yellow and green, and on its inside a
ship in full sail, with the words, “Success to the Monmouth, 1760.”
The other has on the outside a soldier and a sailor, one of whom is
seated on the stock of an anchor, and holding in one hand a sword,
and in the other a punch-bowl; and the other sitting, Bacchus-like,
astride a barrel. Between them is a chest, bearing the words “Spanish
gold;” while inside the bowl is a painting of a ship in full sail, with
the words, “1779. Success to the Isabella.” Of the fine earthenware
vases and beakers illustrations are given on Figs. 26 to 30. They
form part of a set of chimney ornaments, purchased by Mr. Mayer from
the only and aged daughter of Seth Pennington, by whom they had been
treasured as examples of her father’s manufacture. In the making of
blue colour, Pennington succeeded in beating all his competitors, and
it is said that a Staffordshire manufacturer offered him a thousand
guineas for his recipe. This he refused, “as it was a source of great
profit to him, being kept so secret that none ever mixed the colours
but himself.” His brother James, however, whom I have spoken of as
being a dissipated man, persuaded him to tell him his secret, and soon
afterwards, in one of his drunken bouts, told it to a pot-companion,
who at once sold it to the Staffordshire house, and thus did Pennington
a grievous injury. Seth Pennington took into partnership a Mr. Port,
but the connection was not of long duration. Having turned his
attention to the manufacture of china, he produced some excellent
services and other pieces in that material. In china[3] he also
produced punch-bowls, as well as services. Pennington is said to have
used the following marks--
[Illustration: Figs. 31 and 32.]
* * * * *
Public-domain text, read in full here on John Shaqi.
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