The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class — John Shaqi
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
_Christian._--Philip Christian was another of the famous Liverpool
potters, and had his works also on Shaw’s Brow, but higher up than
those of Pennington. They were on the site of what is now known as
Islington Terrace. His house was at the corner of Christian Street,
which was called after his name. At these works he produced octagonal
and other shaped plates of tortoiseshell ware, as well as bowls
and other pieces of the same material. He also made the ordinary
earthenware of the time. Here, later on, he manufactured china[4] to a
considerable extent, and, after the death of Richard Chaffers, is said
to have become the leading potter in the place. Mr. Christian is said
to have produced in china ware some remarkably good dinner, tea, and
coffee services, as well as a number of vases and other ornaments. It
is, however, impossible at present to authenticate his productions, so
similar are they to those of other makers of the same time and place.
* * * * *
_Patrick’s Hill Pot-house._--In 1760 the firm of Thomas Deare & Co.
took the old Delft ware pottery at Patrick’s Hill, known as the
“Patrick’s Hill Pot-house,” where they manufactured “all sorts of the
best blue and white earthenware.”
* * * * *
_The Flint Pot Works._--About the same time a Mr. Okell carried on “The
Flint Pot Works,” which were situated at the upper end of Park Lane,
near the Pitch House. Here he made blue and white earthenware, and
afterwards the more fashionable cream-coloured ware. Mr. Okell died in
1773–74, and the works were then taken by Messrs. Rigg and Peacock,
who immediately advertised their intention of “making all kinds
of cream-coloured earthenware, &c.” Mr. Rigg was, I have reason to
believe, from Newcastle-under-Lyme, and a descendant of the celebrated
Charles Rigg, the pipe-maker of that town. In the same year there was
also a pot-house, called the “Mould Works,” carried on by Messrs. Woods
& Co., near the infirmary, but where nothing of a finer description
than jars, sugar-moulds (for sugar refiners), crucibles, chimney-pots,
melting-pots, black mugs, and the like, were made.
In 1761 Liverpool was the scene of a strongly contested election
between three rival candidates, viz., Sir William Meredith, Bart.,
Sir Ellis Cuncliffe, Bart., and Charles Pole, Esq., and the election
was carried by the potters, one hundred and two of whom gave plumpers
for Sir William. This is proved by the poll and squib book, which was
published by John Sadler, and I allude to the circumstance for the
purpose of introducing an engraving of one of the drinking-mugs made
specially for the occasion by the “jolly potters” of Liverpool. This
mug is of common white earthen ware, and has a rude border, with the
words,
Ser William
a
Plumper,
scratched in, in blue, in the soft clay before firing.
[Illustration: Fig. 33.]
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