Clergy -- England -- Fiction; England -- Social life and customs -- Fiction; Families -- England -- Fiction
closed in, some evening far away in a land of exile beneath an alien
sky.
Effusive as she usually was, and accustomed to fill any interval of
silence that might conceivably occur with discursive volubility, even
Lady Sunningdale was silent except for an “Oh, Martin,” which she no
more than whispered. For there was that in the room which, in spite of
her superficial frivolity and the dragon-fly dartings of her mind, she
knew and recognized and adored, that the touch of art which makes even
of things that are common and unclean gems and jewels. Stella too said
nothing, but sat still, much more upright than her lolling wont, holding
the arms of her chair. From where she sat she could see Martin’s profile
cut with great clearness of outline against a brocaded screen of scarlet
and gold that stood beyond the piano, and between the music and the
musician she was dumb. Even in the desultory accidental conversation
which she had had with him during the slumbers of Lady Sunningdale there
had been something arresting to her in his brilliant boyish personality,
and now from his finger-tips there flowed out, so it seemed to her, a
personality just as brilliant, but either very mature or by the instinct
of genius still boyish, but clad, as it were, in the purple of the
artistic nature. There was nothing amateurish about it; and, unmusical
as she was, she could not help recognising the certainty of the
performance.
For a few moments after the last note had died into silence he sat
silent also, with head bent over the keys. Then he looked up.
“Is that enough, Lady Sunningdale?” he asked.
“No, you angel from heaven, it is never enough!” she cried; “but play
something different--something brilliant; I should expire with several
hollow church-yard groans if you played that again. It makes me
miserable. Play something _virtuoso_, and let me come closer, where I
can see your hands.”
She moved to a low chair to the right of the piano.
“Brahms’s ‘Paganini Variations,’” he suggested.
“Ah, yes, do. It makes me shriek with laughter.”
Then, with the same absolute facility and certainty, with the same
cleanness and perfection, suggesting, indeed, a slim poised figure, he
took a header into that ridiculous theme. But out of the foam and
bubble beneath his hands flowers grew, stars were scattered, and all
nature went mad with dancing. But when the riot of jubilance was at its
height, a tall, severe figure suddenly appeared at the French window of
the drawing-room, advanced very audibly on the bare boards, and spoke
sufficiently loud to be heard.
“Ah, Lady Sunningdale,” said Mr. Challoner, “how are you? And Martin
wasting his time at the piano, as usual. How kind of you to let him play
to you!”
Public-domain text, read in full here on John Shaqi.
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