(56.) Every author who wishes to write clearly should put himself in the place of his readers, examine his own work as something new to him, which he reads for the first time, is not at all concerned in, and which has been submitted to his criticism; and then be convinced that no one will understand what is written merely because the author understands it himself, but because it is really intelligible. (57.) People write only to be understood, but they should, at least, in their writings produce very beautiful things. They ought to have a pure style, and, in truth, employ a suitable phraseology; moreover, their phrases should express noble, intense, and solid thoughts, and contain a very fine meaning. A pure and clear style is thrown away on a dry, barren subject, without either spirit, use, or novelty. What avails it to any reader to understand easily and without any difficulty some frivolous and puerile subject, not seldom dull and common, when he is less in doubt about the meaning of the author than tired with his work? If we aim at being profound in certain writings, if we affect a polite turn, and sometimes too much delicacy, it is merely because we have a good opinion of our readers. (58.) The disadvantage of reading books written by people belonging to a certain party or a certain set is that they do not always contain the truth. Facts are disguised, the arguments on both sides are not brought forward in all their strength, nor are they quite accurate; and what wears out the greatest patience is that we must read a large number of harsh and scurrilous reflections, tossed to and fro by serious-minded men, who consider themselves personally insulted when any point of doctrine or any doubtful matter is controverted. Such works possess this peculiarity, that they neither deserve the prodigious success they have for a certain time, nor the profound oblivion into which they fall afterwards, when the rage and contention have ceased, and they become like almanacks out of date.[113] (59.) It is the glory and the merit of some men to write well, and of others not to write at all. (60.) Some persons have been writing regularly for the last twenty years; they have faithfully observed all rules of composition, enriched the language with new words, thrown off the yoke of Latinism, and given to style a pure French phraseology; they have almost recovered that harmony which Malherbe and Balzac first discovered, and which since then so many authors allowed to be lost; they have, in short, given to our style all the clearness it is capable of, and this will gradually lead to it becoming easily understood.[114]