The "Characters" of Jean de La BruyèreLa Bruyère, Jean de
General
The "Characters" of Jean de La Bruyère
La Bruyère, Jean de
Character sketches -- Early works to 1800; Characters and characteristics
(61.) There are some artists[115] or men of ability whose intelligence
is as extensive as the art or science they profess; they repay with
interest, through their genius and inventive powers, what they borrowed
from it and from its first principles; they stray from art to ennoble
it, and deviate from its rules if they do not make use of them to
attain the grand and the sublime; they walk alone and unaccompanied,
but they soar very high and are very penetrating, always certain of
the advantages sometimes to be obtained by irregularity, and assured
of their success. Careful, timorous, and sedate minds not alone
never obtain those advantages, but they do not admire them nor even
understand them, and are much less likely to imitate them; they dwell
peaceably within the compass of their sphere, go up to a certain point,
which is the limit of their capacity and knowledge, but penetrate no
farther, because they see nothing beyond it; they are at best but the
first of a second class and excel in mediocrity.
(62.) If I may venture to say so, there are certain inferior or
second-rate minds, who seem only fit to become the receptacle,
register, or storehouse of all the productions of other talents;[116]
they are plagiarists, translators, compilers; they never think,
but tell you what other authors have thought; and as a selection
of thoughts requires some inventive powers, theirs is ill-made and
inaccurate, which induces them rather to make it large than excellent.
They have no originality, and possess nothing of their own; they only
know what they have learned, and only learn what the rest of the world
does not wish to know; a useless and dry science, without any charm
or profit, unfit for conversation, nor suitable to intercourse, like
a coin which has no currency. We are astonished when we read them, as
well as tired out by their conversation or their works. The nobility
and the common herd mistake them for men of learning, but intelligent
men rank them with pedants.
(63.) Criticism is often not a science but a trade, requiring more
health than intelligence, more industry than capacity, more practice
than genius. If it is exercised by a person of less discernment than
culture, and treats of certain subjects, it will spoil the readerʼs
judgment as well as that of the author criticised.
Public-domain text, read in full here on John Shaqi.
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