The Characters of Theophrastus: A Translation, with IntroductionTheophrastus
General
The Characters of Theophrastus: A Translation, with Introduction
Theophrastus
Character sketches -- Early works to 1800
[24] Ancient works of art often exhibit representations of votive
torches. They are usually depicted as wound with serpents.
[25] Various months of the Attic year.
XVII _The Bore_
(Δαλία)
We may define a bore as a man who cannot refrain from talking. A bore
is the sort of fellow who, the moment you open your mouth, tells you
that your remarks are idle, that he knows all about it, and if you’ll
only listen, you’ll soon find it out. As you attempt to make answer,
he suddenly breaks in with such interruptions as: “Don’t forget what
you were about to say”—“That reminds me”—“What an admirable thing talk
is!”—“But, as I omitted to mention”—“You grasp the idea at once”—“I
was watching this long time to see whether you would come to the same
conclusion as myself.” In phrases like this he’s so fertile that the
person who happens to meet him cannot even open his mouth to speak.
When he has vanquished a few stray victims here and there, his next move
is to advance upon whole companies and put them to flight in the midst
of their occupations. He goes upon the wrestling ground or into the
schools, and prevents the boys from making progress with their lessons,
so incessant is his talk with the teachers and the wrestling-masters.
If you say you are going home, he’s pretty sure to come along and escort
you to your house.
Whenever he learns the day set for the session of the Assembly he
noises it diligently abroad, and recalls Demosthenes’s famous bout with
Aeschines in the archonship of Aristophon. He mentions, too, his own
humble effort on a certain occasion, and the approval which it won among
the people. As he rattles on he launches invectives against the masses,
in such fashion that his audience either becomes oblivious or begins to
doze, or else melts away in the midst of his harangue.
When he’s on a jury he’s an obstacle to reaching a verdict, when he’s
in the theatre he prevents attention to the play; at a feast he hinders
eating, remarking that silence is too much of an effort, that his tongue
is hung in the middle, and that he couldn’t keep still, even though he
should seem a worse chatterer than a magpie; and when he’s made a butt by
his own children, he submits,—when in their desire to go to sleep they
say, “Papa, tell us something, in order that sleep may come.”
XVIII _The Rough_
(Ἀπόνοια)
Roughness is coarse conduct, whether in word or act. The rough takes
an oath lightly and is insensible to insult and ready to give it. In
character he is a sort of town bully, obscene in manner, ready for
anything and everything. He is willing, sober and without a mask, to
dance the vulgar cordax[26] in comic chorus. At a show he goes around
from man to man and collects the pennies, quarrelling with the spectators
who present a pass and therefore insist on seeing the performance free.
Public-domain text, read in full here on John Shaqi.
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