The Characters of Theophrastus: A Translation, with IntroductionTheophrastus
General
The Characters of Theophrastus: A Translation, with Introduction
Theophrastus
Character sketches -- Early works to 1800
Impudence is easy to define; it is conduct that is obtrusively offensive.
The impudent man is one who, on meeting respectable women in the street,
insults them as he passes. At a play, he claps his hands after all the
rest have stopped, and hisses the players when others wish to watch in
silence. When the theatre is still, he suddenly stands up and disgorges,
to make the audience look around. When the market-place is crowded, he
steps up to the stalls where nuts, myrtle-berries, or fruits are for
sale, and begins to pick at them as he talks to the merchant; he calls
by name people whom he doesn’t know, and stops those intent upon some
errand. When a man has just lost an important case and is now leaving
the court, he runs up and tenders his congratulations.
He buys his own provisions,[29] too, and hires his own musicians,
showing his purchases to every man he meets and inviting him to come and
share the feast. Again, he takes his stand before a barber’s booth or a
perfumer’s stall, and proclaims unblushingly his intention of getting
drunk.
[29] To do one’s own marketing was considered a sign of niggardliness;
hence such business was ordinarily delegated to slaves.
XXI _The Gross Man_
(Δυσχέρεια)
Grossness is such neglect of one’s person as gives offence to others.
The gross man is one who goes about with an eczema, or white eruption,
or diseased nails, and says that these are congenital ailments; for his
father had them, and his grandfather, too, and it would be hard to foist
an outsider upon their family. He’s very apt to have sores on his shins
and bruises on his toes, and to neglect these things so that they grow
worse.
His armpits are hairy like an animal’s for a long distance down his
sides; his teeth are black and decayed. As he eats, he blows his nose
with his fingers. As he talks, he drools, and has no sooner drunk wine
than up it comes. After bathing he uses rancid oil to anoint himself; and
when he goes to the market-place, he wears a thick tunic and a thin outer
garment disfigured with spots of dirt.
When his mother goes to consult the soothsayer, he utters words of evil
omen; and when people pray and offer sacrifices to the gods he lets the
goblet fall, laughing as though he had done something amusing. When
there’s playing on the flute, he alone of the company claps his hands,
singing an accompaniment and upbraiding the musician for stopping so soon.
Often he tries to spit across the table,—only to miss the mark and hit
the butler.
XXII _The Boor_
(Ἀγροικία)
Boorishness is ignorance of good form. The boor is the sort of man who
takes a strong drink and then goes to the Assembly. He insists that myrrh
has not a whit sweeter smell than onions. His boots are too big for his
feet and he talks in a loud voice.
Public-domain text, read in full here on John Shaqi.
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