"A few birds were singing their farewell songs to Scotland before retreating to a warmer country. My companion’s face was slightly flushed by the wind, and the colour seemed to give an additional depth to the blue eyes which looked shyly forth from between her dark lashes. Her fair hair, which was unusually soft and fine, had been blown by the wind into a waving network of shining confusion round her ears, and over her forehead. As she sat just above me, and I looked into her face, it seemed impossible for God to make, or man to picture, aught more fair or pure in earthly texture. Yet, so does my nature act and react, ever tumbling from the sublime to the ridiculous, that I had hardly realized the perfect human beauty before me when my mind began to drop down into one of its most annoying analytical moods, tearing, as it were, all soft and delicate covering from the face, and pointing mockingly to the hollow skull beneath, the framework alike of beauty and ugliness. Not that there is really anything ridiculous, or for the matter of that, frightful about a skull; the comic part of the situation lay in the fact that it was impossible for me vividly to realize this framework of the beauty I had a moment before worshipped, without a shudder. I refer to it now, because such sensations throw a valuable sidelight on love itself. "It is to be presumed that when we love a person, we fancy that we love, not the body, not in fact the clothing of the individual, but the personality; that there is something therein which attracts and draws forth these sensations wholly apart from anything to do with simply animal passion. There are, of course, some who deny this, but to reason with such is, as said before, absolutely useless: to the purely animal nature all must necessarily appear animal. Such men and women are exceptions, yet though many are conscious of the strength of higher love, how few seem to try to solve the mystery surrounding it, or to draw a line between true and false sensations.