The Chautauquan, Vol. 04, December 1883Chautauqua Literary and Scientific Circle
History
The Chautauquan, Vol. 04, December 1883
Chautauqua Literary and Scientific Circle
Chautauqua Institution -- Periodicals; Chautauqua Literary and Scientific Circle -- Periodicals
Thus a new path was opened to modern sculpture, in pursuing which it
has of late years accomplished great results, and which assures to it
still greater beauty, and diversity of attainment, if only it hold fast
to the principles already secured, and go on with true dignity toward
its goal. Even if the world of ideal forms should never again acquire
that importance for us which it possessed for the Greeks, nevertheless
the daily life of humanity still contains a wealth of exquisite motives,
full of beauty and _naïveté_, which give to the sculptor’s fancy ample
incitement to ideal creations. There is, moreover, in the chaste grace
and pure dignity of the antique conceptions, an imperishable charm,
which appeals to every human sentiment, and secures for all productions
conceived in a similar spirit the warm interest of those who delight to
refresh themselves with the simple beauty that belongs to every true
manifestation of nature. Hence the idealistic style of this art of
Greece, as it has been recognized by the present and endowed with new
activity, becomes forever the most priceless and precious possession of
modern sculpture.
The new-born historic feeling of the several nations demands to-day that
their heroes, the defenders of their liberties, the representatives of
their intellect, their warriors in the battles both of the sword and of
thought, shall be preserved to fame in the true likeness of their actual
forms. As a consequence, sculpture is compelled to probe the depths of
the individual consciousness; to investigate the characteristics of each
individual intellect as expressed in the figure, the physiognomy, and
even in the externals of attitude and garb; and even to give utterance
to the mysterious life of the soul, as far as it lies within her power.
Without losing sight of the great importance which the study of the
sculptures of the fifteenth century has upon this tendency, the influence
of the antique should not be undervalued; since, without the sense of
beauty so secured, a realistic degeneracy and exaggeration would be very
sure to follow.
Public-domain text, read in full here on John Shaqi.
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