The Chautauquan, Vol. 04, December 1883 — John Shaqi
The Chautauquan, Vol. 04, December 1883Chautauqua Literary and Scientific Circle
History
The Chautauquan, Vol. 04, December 1883
Chautauqua Literary and Scientific Circle
Chautauqua Institution -- Periodicals; Chautauqua Literary and Scientific Circle -- Periodicals
Among the German schools of sculpture of to-day, that of Berlin takes
the lead. Frederick Tieck of this school adopted the antique style in
a series of admirable productions, and especially in the decorative
sculpture designed by him for the theater; while the path which Schadow
had taken was followed up nobly and rationally during the long and
influential labors of Christian Rauch (1777-1857). This artist’s
important position is due less to his wealth of creative ideas than to
his delicate feeling for nature, his fine appreciation of the genuine
plastic style, and his incomparable care in execution. His importance,
however, does not consist merely in his numerous works, but also in
the influence he exercised on his large circle of talented scholars.
While he shows a true classical beauty in his ideal works, like his
victories and his many admirable reliefs, his statues of Prince Blücher,
of Generals Bülow and Scharnhorst, his colossal equestrian statue of
Frederic the Great at Berlin, his superb statues of Queen Louise, and
of Frederic William III. in the mausoleum at Charlottenburg, his bronze
statues of Dürer at Nuremberg, of Kant at Königsberg, of King Max I.
at Munich, and many others, prove him a sculptor of the first rank for
delicate characterization, and life-like suggestiveness of composition.
Many excellent scholars have gone from his studio into careers of
independent importance and masterly ability; and these form, with their
vigorous activity, which is never at a loss for employment in important
undertakings, the nucleus of the present school of Berlin.
Among the most conspicuous of the Berlin artists should be reckoned
Friedrich Drake, whose reliefs on the statue of Frederic William III.
in the Thiergarten at Berlin are full of simple grace. Another of this
school is Schievelbein (died in 1867), who showed a great deal of
imagination, especially in the composition of reliefs; as in the great
frieze representing the destruction of Pompeii, in the new museum, and
also in the relief on the bridge at Dirschau.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account