I have in mind one Italian "flat" among many, a half underground hole in a South Fifth Avenue yard, reached by odd passage-ways through a tumbledown tenement that was always full of bad smells and scooting rats. Across the foul and slippery yard, down three steps made of charred timbers from some worse wreck, was this "flat," where five children slept with their elders. How many of those there were I never knew. There were three big family beds, and they nearly filled the room, leaving only patches of the mud floor visible. The walls were absolutely black with age and smoke. The plaster had fallen off in patches and there was green mould on the ceiling. And yet, with it all, with the swarm of squirming youngsters that were as black as the floor they rolled upon, there was evidence of a desperate, if hopeless, groping after order, even neatness. The beds were made up as nicely as they could be with the old quilts and pieces of carpet that served for covering. In Poverty Gap, where an Italian would be stoned as likely as not, there would have been a heap of dirty straw instead of beds, and the artistic arrangement of tallow-dips stuck in the necks of bottles about the newspaper cut of a saint on the corner shelf would have been missing altogether, fervent though the personal regard might be of Poverty Gap for the saint. The bottles would have been the only part of the exhibition sure to be seen there. I am satisfied that this instinct inhabits not only the more aristocratic Genoese, but his fellow countryman from the southern hills as well, little as they resemble each other or agree in most things. But the Neapolitan especially does not often get a chance to prove it. He is so altogether uninviting an object when he presents himself, fresh from the steamer, that he falls naturally the victim of the slum tenement, which in his keep becomes, despite the vigilance of the sanitary police, easily enough the convenient depot and half-way house between the garbage-dump and the bone-factory. Starting thus below the bottom, as it were, he has an up-hill journey before him if he is to work out of the slums, and the promise, to put it mildly, is not good. He does it all the same, or, if not he, his boy. It is not an Italian sediment that breeds the tough. Parental authority has a strong enough grip on the lad in Mulberry Street to make him work, and that is his salvation. "In seventeen years," said the teacher of the oldest Italian ragged school in the city that, day and night, takes in quite six hundred, "I have seen my boys work up into decent mechanics and useful citizens almost to a man, and of my girls only two I know of have gone astray." I had observed the process often enough myself to know that she was right. It is to be remembered, furthermore, that her school is in the very heart of the Five Points district, and takes in always the worst and the dirtiest crowds of children.