Chinese drama -- History and criticism; Theater -- China
Two generals arrange, shortly before they die in battle, that their
children are to marry. The son of the one, therefore, while on his
journey to the capital to take his examination, visits at the home of the
widow of his father’s friend. The widow invites him to take up his abode
in a pleasant pavilion in the garden, but she meets with icy silence
every reference on the part of the young man to marriage. This is because
she wishes to observe the very strictest code of conduct, which ordains
that when a girl has lost her father she dare not marry until three years
afterward. The young people fall in love at first sight; the young man
so desperately that the yearning for the girl he is not permitted to
see after their first accidental meeting causes him to become violently
ill. The quick-witted, impertinent maid sent to look after the wants of
the patient carries messages between him and the young girl and finally
arranges a meeting on a moonlit night. The lovers have exchanged but a
few words when the mother discovers them. She punishes the maid and sends
the young man away in disgrace. He goes to the capital and passes such a
brilliant examination that he attracts the attention of the emperor. The
latter becomes interested in the young man’s future and decides to carry
out the wish of his two faithful generals. The marriage is arranged by
imperial command. Both lovers are in ignorance as to who their selected
mates are to be, and at first are very much dejected; but when they meet
as bride and groom their happiness is all the greater when they realize
that the choice of their elders is also the choice of their hearts.
[Illustration: ILLUSTRATION BY A CHINESE ARTIST FOR “THE CHALK CIRCLE”
This, together with three similar illustrations, has been taken from the
standard edition of the Yuan Dynasty classics]
Public-domain text, read in full here on John Shaqi.
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