Chinese drama -- History and criticism; Theater -- China
You Hsin’s soul appears before the judge of the lower world. As he had
been very avaricious in life his punishment is to consist in having to
gather coppers tossed into a deep kettle of boiling oil. But the holy
man appears and obtains forgiveness for You Hsin, because he allows
himself to be quickly converted to Taoism and makes the vows of poverty
and chastity. The judge will even grant him the boon of a speedy return
to earth. He cannot reënter his own body, because his wife has been a
bit precipitate in cremating it; but he is allowed to enter that of a
butcher who has just died, a blue-eyed, lame, and otherwise ugly man. The
butcher’s parents, wife, and neighbors are engaged in mourning, when the
dead man suddenly rises from his coffin. You Hsin wants, first of all, to
see his pretty wife, but when he tries to walk he stumbles with his lame
leg. As they hand him the crutch he reflects, “Ah, yes, in my former life
I had a crooked conscience and in this life I have a crooked and useless
leg. I realize only too well the heavenly justice!” The butcher’s
relatives follow him to his former home, where his wife had been happy
to receive him after he had fully explained his miraculous return. A
violent quarrel breaks out between the two women, each of whom claims
her husband. The case is taken before the stupid imperial inspector,
who is in great perplexity before the question as to whether the body
or the soul constitutes the husband. The case and the play end when the
anchorite arrives to remind You Hsin of his vows and to take him into the
unworldly wilderness.
Plautus’ and Molière’s subject for a comedy of character, the miser,
has been employed by a Chinese playwright with strong local color to
his humor. One of the many scenes of his play describes how the miser
comes to feel that he must have a son to pray at his grave and therefore
decides to buy one from an unlucky scholar reduced by poverty to selling
his children. He offers the parents one ounce of silver. The mother
exclaims in her disappointment, “Why, for that sum you couldn’t buy a boy
modeled in clay.” Perhaps this is a bit unmotherly in sentiment, but the
retort is truly miserly, “Yes, but a boy of clay does not eat or cause
other expenses.” When this sum is refused the miser instructs his servant
to go once more to the man, to hold the silver high, very high, above his
head and to say, “There, you poor scholar, His Excellency Lord Kou deigns
to give you one precious ounce of silver.” His servant replies that no
matter how high he holds it an ounce will be only an ounce; and finally
he pays the father more out of his own wages!
When the son has reached the age of twenty the miser scolds him one day
because he seems to think that money is for the purpose of buying food
and clothes! By way of instruction he tells how one can live economically:
Public-domain text, read in full here on John Shaqi.
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