Chinese drama -- History and criticism; Theater -- China
“One day I felt inclined to eat roast duck and therefore I went to the
market to that shop which you know. They were just roasting a fine duck
and the delicious juice was running down. Under the pretext of bargaining
I handled it and soaked my fingers thoroughly in the gravy. Then I went
home without having bought it and called for a plate of boiled rice.
With each spoonful of rice I sucked one finger. At the fourth spoonful I
became tired and fell asleep. During my nap a treacherous dog came and
licked my last finger. When on awakening I noticed this theft, I became
so angry that I have been ill ever since.”
The house is in need of a picture of the god of luck, and the miser
instructs his son to order the artist to paint a rear view, because to
paint the face costs most. When he is about to die he orders his son to
bury him not in a coffin of pine, nor even of willow wood, but to use the
old watering trough standing in the back yard. The son objects that it
is too short, but the father instructs him to chop his body in two to
make it fit. “And there is one more important thing I wish to say to you
before I die; don’t use my good ax to cut me in two, but borrow one from
the neighbor.”
“Since we have an ax, why should I bother the neighbor?”
“Perhaps you don’t know that my bones are extremely hard, and that if
you’d use my good cutting edge you’d have to spend some coppers to get it
resharpened.”
The miser’s last words are inaudible, but he persists in holding up two
fingers. All the relatives assembled in the death chamber are very much
puzzled and try to please him by doing this or that, but the dying man’s
discomfort increases. Finally his old servant enters and he understands.
There are two candles burning where one might do; and after one of them
has been extinguished the miser dies in peace.
Public-domain text, read in full here on John Shaqi.
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