Chinese drama -- History and criticism; Theater -- China
Into Minister Niu’s house come two rival go-betweens who make offers
of marriage for Niu’s daughter in the interest of two fathers of
distinguished sons. But Niu refuses; he will accept for his daughter none
but the scholar who has won the very highest honors at the examinations.
The two women begin to quarrel and are driven off with blows by Niu’s
orders, because by fighting in his house they offend against the rites.
A marriage arranged by such wrangling old hags between young people who
meet for the first time on the day of their wedding certainly does not
offer much in the way of romance. An even more depressing picture of
the life of the young girl one gains from the manner in which Niu takes
his daughter to task for having walked in the garden. “Don’t you know
of what the principal merit of a young woman consists? I have told you
before, men are looking for women who don’t like to leave the women’s
apartments.” Everywhere the ghost of Confucius giving precepts for the
regulation of the private life down to the minutest details!
The play returns to Tsai-yung, who is now on the road to the capital in
the company of three other candidates for the examination. Each in turn
tells of the purpose of his studies. Tsai-yung outlines his principles as
follows:
“Here is the method I have adopted. When I was seated I read, when
I walked I recited from memory what I had learned. I have studied
thoroughly ten thousand chapters; I have carried on difficult studies
and researches. But as there are two things in life that one must never
lose sight of—loyalty to the prince and filial piety—I have always tried
to show myself grateful for the emperor’s benefits and to return with
thankfulness the kindness of my parents.” This speech is applauded by the
other scholars and they in turn give their answers, some of which are of
rather satirical turn, especially the one of the student who explains
that with him the essential is correct pronunciation and beautiful
penmanship!
Public-domain text, read in full here on John Shaqi.
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