The Christmas Kalends of Provence: And Some Other Provençal FestivalsJanvier, Thomas A. (Thomas Allibone)
General
The Christmas Kalends of Provence: And Some Other Provençal Festivals
Janvier, Thomas A. (Thomas Allibone)
Christmas -- France -- Provence; Festivals -- France -- Provence; Provence (France) -- Social life and customs
In many towns and villages the offerings of Christian bounty were
collected in a curious way. A gigantic figure of wicker-work--called
Melchior, after one of the three Kings of the Epiphany--clothed in a
grotesque fashion and with a huge pannier strapped to his back, was
mounted upon an ass and so was taken from door to door to gather for the
poor whatever the generous would give of food. Into the big basket
charitable hands threw figs, almonds, bread, cheese, olives, sausages:
and when the brave Melchior had finished his round his basket was
emptied upon a table at the church door, and then all the poor people of
the parish were free to come there and receive portions of those good
things--while the church bells rang, and while there blazed beside the
table a torch in representation of the Star which guided Melchior and
his fellow kings to Bethlehem.
A reminiscence of this general charity still survives in the little town
of Sollies, tucked away in the mountains not far from Toulon. There, at
Christmas time, thirteen poor people known as "the Apostles" (though
there is one to spare) receive at the town-house a dole of two pounds of
meat, two loaves of bread, some figs and almonds, and a few sous. And
throughout Provence the custom still is general that each well-to-do
family shall send a portion of its Christmas loaf--the _pan
calendau_--to some friend or neighbour to whom Fortune has been less
kind. But, happily, this gift nowadays often is a mere friendly
compliment, like the gift of _fougasso_; for the times are past when
weak-kneed and spasmodic charity dealt with real poverty in Provence.
X
'Twas with such kindly reminiscences of old-time benevolence, rather
than with explosive archaeological matters, that I kept the Vidame from
falling again a-fuming--while we waited through the dusk for the coming
of seven o'clock, at which hour the festivities at the Mazet were to
begin. Our waiting place was the candle-lit salon: a stately old
apartment floored formally with squares of black and white marble,
furnished in the formal style of the eighteenth century, and hung around
with formal family portraits and curious old prints in which rather lax
classical subjects were treated with a formal severity. The library
being our usual habitat, I inferred that our change of quarters was in
honour of the day. It was much to my liking; for in that antiquely
ordered room--and the presence of the Vidame helped the illusion--I felt
always as though I had stepped backward into the thick of eighteenth
century romance. But for the Vidame, although he also loves its old time
flavour, the salon had no charms just then; and when the glass-covered
clock on the mantle chimed from among its gilded cupids the
three-quarters he arose with a brisk alacrity and said that it was time
for us to be off.
Public-domain text, read in full here on John Shaqi.
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