The Chronicle of the Discovery and Conquest of Guinea. Vol. IZurara, Gomes Eannes de
History
The Chronicle of the Discovery and Conquest of Guinea. Vol. I
Zurara, Gomes Eannes de
Guinea (Region) -- Discovery and exploration -- Early works to 1800
[Footnote 67: Armario 17, Maço 6, No. 5. Torre do Tombo. It is
worthy of note that the Eytor de Sousa, here referred to, is the
same person that appears in the judgment of the Casa de Supplicacão
of January 19th, 1479, as representing the Order of Christ.]
This latter is the last existing document signed by Azurara, though he
appears to have given another certificate on August 17th, 1473, nearly a
year after, relating to the forged grant of D. Fernando to the Order of
Christ, as mentioned by João Pedro Ribeiro.[68]
[Footnote 68: _Memorias Authenticas_, p. 21.]
There is no evidence to show when the Chronicler died, and tradition on
the point varies. The oldest authority who refers to it is Damião de
Goes, and, according to him, Azurara lived some years after 1472.[69] He
never married, and was succeeded in his post at the Torre do Tombo by
Affonso Annes d'Obidos; but the charter of this man's appointment has
been lost, and his first recorded certificate only bears date March
31st, 1475.[70]
[Footnote 69: _Chronica de D. Manoel_, quarta parte, ch. 38.]
[Footnote 70: _Memorias Authenticas_, p. 21.]
* * * * *
We have now followed the life of Azurara step by step, and seen him
honoured for his talents by his contemporaries, and rewarded for his
services to King and country by numerous benefactions.[71] We have also
seen him on intimate terms with the Royal Family, and corresponding
regularly with some of its members, as well as acquainted with the
leaders of the explorations and the learned men of the time, and must
conclude that this was chiefly due to his literary attainments and
genial character. It is therefore pleasant to be able to record that, in
our day, Portugal has marked her appreciation of him, as a man and a
writer, by a statue, whilst recognising that his works form his greatest
and most durable monument. In the Praça de Luiz de Camões in Lisbon
there rises a noble statue of the "Prince of Spanish Poets"[72],
surrounded by eight of the most distinguished men of letters and action
of the fifteenth and sixteenth centuries, his predecessors and
contemporaries, and among them is a life-size figure of Gomez Eannes de
Azurara.[73]
[Footnote 71: Padre José Bayam, in p. 5 of his Prologue to the
_Chronica del Rey D. Pedro I_ of Fernão Lopes (Lisbon, 1761), states
that Azurara obtained the position of Disembargador da Casa do
Civel, or Judge of Appeal of the Civil Court, on the authority of
ch. 54 of Pina's _Chronica de D. Affonso V_, which mentions a
certain Gomez Eanes as holding the office in question and being sent
on an embassy to Africa; but João Pedro Ribeiro, in vol. iv, part 2,
of his _Dissertações Chronologicas e Criticas_, Dissertação XVI,
proves conclusively that Bayam is in error, and that the Judge had
no connection with his namesake the Chronicler.]
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