[Footnote 72: The word "Spanish" is here used, in its correct sense, to include all the peoples of the Peninsula. So the Archbishop of Braga bears the title "Primaz das Hespanhas", denoting his primacy over both Spain and Portugal.] [Footnote 73: No portrait of Azurara exists, and his signatures form the only relic of him that we possess.] CRITICAL REMARKS. Azurara belongs to the line of Portuguese Chroniclers who rendered illustrious the fifteenth and sixteenth centuries, a line that began with Fernão Lopes and culminated in Damião de Goes and João de Barros, both of whom were almost historians in the modern sense of the term, and at the same time masters of prose style. He is indeed the connecting link between the chronicler and the historian, between the Mediæval writers and those of the Renaissance; for, while he possesses much of the sympathetic ingenuousness of Lopes, yet he cannot resist displaying his erudition and talents by quotations and philosophical reflections, as quaint as they are often unnecessary, proving that he wrote under the influence of that wave of foreign literature which had swept in with the new monarchy. Three literary tendencies may be said to have prevailed in Portugal during the fifteenth century--firstly, a monomania for classical learning; secondly, an increased taste for the mediæval Epics and prose Romances, due to the English influence that had entered with Queen Philippa, daughter of timeserving Lancaster, though it must be remembered that _Amadis de Gaula_, the most famous romance of the Middle Ages, was compiled in the preceding century and by a Portuguese hand; and lastly, an admiration for Spanish poetry, which had made wonderful strides since the great Italians, Dante and Petrarch, had become known in the Peninsula. In philosophy, Aristotle, as expounded by Averroes, was the chief authority--Azurara calls him "the Philosopher"--and following him Egidius and Pedro Hispano, the Portuguese Pope and scholar, enjoyed the widest influence. Platonic philosophy was introduced at a much later period, chiefly through the medium of Italian poetry, and it never took root.