The Church of Sancta Sophia, Constantinople: A Study of Byzantine BuildingLethaby, W. R. (William Richard)
Religion
The Church of Sancta Sophia, Constantinople: A Study of Byzantine Building
Lethaby, W. R. (William Richard)
Ayasofya Müzesi
Many of the points in this celebration of the wonders of S. Sophia seem
to be traceable to the writer’s absorbing traditions of the work of
Basil--who built like a goldsmith at his new church--into his account.
In the destructive rapacity of the Crusaders and the interregnum that
followed while they occupied S. Sophia we find such a satisfactory
cause for this half-mythical retrospect undertaken in all good faith
that we cannot think it was written until after the Frankish ascendency.
We need not suppose that the Anonymous invented even the wildest of
these stories; such stories grow up as a matter of course, and to-day
various forms of some of them are told within the walls of many other
buildings. The accounts given by the Russian pilgrims (see Chapter VI)
agree so closely in many respects with the Anonymous description that
we might think the writer had been their guide in the church. That the
stories were widely told in Constantinople at this time is proved by
the account of S. Sophia given by El Harawi, an Arab traveller, who
visited the city in the thirteenth century. “Here is also Agia Sophia,
the greatest church they have. I was told by Yakub Ibn Abd Allah that
he had entered it: within are 360 doors. And they say one of the angels
resides there; round about this place they have made fences of gold,
and the story they relate of him is very strange.”[230]
This story of the angel recalls the Wingless Victory of the Athenian
acropolis, but it is probably more closely related to the “Angels of
the Churches” in the Revelation. An interesting reference to this
thought is made by Palladius in his Life of Chrysostom. Before he left
S. Sophia for ever the patriarch entered it saying, “Come let us pray
and say farewell to the Angel of the Church;” but, adds his biographer,
“the Angel departed with him.” We give here an account of the church
from a thirteenth-century English MS., in the British Museum, _Vit.
A._ xx. 14, which refers to the more commonplace part of the story as
told by the Anonymous. “That famous city is endowed with wonderful and
inestimable wealth. In it may be seen the famous church Agia Sophia,
that is the Holy Wisdom; an angel of God appeared and taught the
workmen as they were building. Underneath the church in its cisterns
there is refreshing water, some of which is salt and some of it
rainwater. The church below is borne on one hundred and seventy-three
columns of marbles, and above on two hundred and forty-six. Round the
choir from the top to the bottom it is covered with silver gilt. And
this same choir has an altar ‘starred’ (_stellatum_) all over with
most wonderful and precious stones. In the church are lamps of the
purest silver and gold, and their number cannot be counted. The church
is opened and closed by seven hundred and fifty-two double doors, and
there are windows innumerable. There are seven hundred prebendary
priests, of which three hundred and fifty take each week in turn. Now
Public-domain text, read in full here on John Shaqi.
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